#but i found basically all of my posts on there

[luckyladylily]

So like, transandrophobia.

To start this out, I am a trans woman, been around in the queer community for a while. I'm also bisexuality, polyamorous, disabled, and aromantic, and I think these other parts of my identity and the crap I've caught over the years for them heavily informs how I analyze something like transandrophobia. My wife is also asexual, so that plays a part in it too.

So every group of marginalized people has their own unique experiences and problems. It's more of a rule than something we've mathematically demonstrated, but as far as these things go it's ridiculously well established, and personally every time I've done even a basic dive into the issues faced by a marginalized group it's been self evident. I could easily list a dozen groups ranging from racial minorities to different kinds of disabled people to different queer identities and analyze their social issues but let's be real, this is pretty well established theory, anyone who needs me to do that is not really interacting with good faith. This is one of the big reasons we talk to people about their own experiences and groups, we cannot reasonably extrapolate the experiences of others from our own.

So like trans men and trans mascs and anyone else that falls under that umbrella has their unique experiences. The idea that we would even question this is weird to me? Like I can't even imagine the kind of evidence someone would need to present to me to change my mind, and given the pattern of the queer community to be shitty in exactly this way to people in our community, yeah that is not happening.

Therefore, we are taking it for granted that the trans men/masc/related umbrella has their own things going on like everyone else ever, and I don't understand how someone acting in good faith can try to claim otherwise unless they are young or otherwise very inexperienced with such things.

The next point of contention seems to be the name, and I gotta be real I don't care and I don't understand why other people do. I've read all sorts of arguments against the word transandrophobia and the majority of them seem to be rooted in a misunderstanding of intersectionality, and even then it's like there is such a thing where people get so mired in theory that they miss the forest for the trees.

Perhaps more important to me, getting overly worked up about something as unimportant as the precise term is... weird. Like exclusionists hating on bi and ace people weird. I remember what it was like a decade ago when exclusionists were trying to police the words of bi women, and five years ago when ace and aro people were under constant attack under the pretense that our language was harmful for some reason or other. You are going to have to work very, very, very hard to convince me that any bickering over language as it relates to transandrophobia is not just more of the same.

Next, "transandrobros hate trans femmes" and similar stuff. I've seen the callout posts and found them completely unconvincing. Again, they read a lot like the old "ace people hate lesbians!" posts I used to see. I'm not convinced that the individuals involved were a problem, I am certainly not able to extrapolate a problem to the rest of the group.

Finally, there is this idea that "maleness is not a vector for oppression" and this invalidates something about the whole transandrophobia thing, ranging from the entire concept of trans men experiencing prejudice to something about language being imprecise all the way to "This is fascist shit, omg these people are basically nazis" depending on who says it. I'm not going to touch any of that and just look at the underlying logic.

This is based off a misunderstanding of intersectionality theory. Many people think of intersectionality as defining intersecting prejudice, like a ven diagram, such that transmisogyny is the intersection of transphobia and misogyny. This is incorrect. Intersectionality defines unique prejudice experienced by people with intersecting identities. Instead of a transmisogyny as the overlap of transphobia and misogyny, imagine adding a third circle that overlaps both but also has its own areas covered by neither.

Applied to transandrophobia, even if we assume maleness is not a vector for oppression, there is no reason to assume that the intersection of maleness with a marginalized identity doesn't result in new issues. Imagine that 3 circle venn diagram that represents misogyny, transphobia, and transmisogyny. Even if you remove the misogyny circle there is still plenty of ground covered by the transmisogyny circle.

This just isn't a valid criticism. It is a pure theory approach based on a flawed reading of theory.

So in summary:

Everyone has their unique shit going on and I've seen no convincing evidence that trans men, mascs, etc. Are the exception.

I not seen any convincing argument that the word itself is bad.

I've not seen any convincing evidence that there is some epidemic of transandrophobia truthers hating and harassing trans femmes on scales higher than normal background queer infighting.

The most coherent objection to transandrophobia I've seen is categorically incorrect and based on a fundamental misunderstanding of intersectionality theory.

I would like to remind everyone at this point I am a trans woman, part of the group that is supposedly a problem for and I've just not see it at all, to the point where it is kind of weird how intensely some people are pushing this.

I'm not trying to be mean or whatever, I'm sure the distress on display here comes from a real place and real trauma, but I've yet to see anything that makes me think there is substance to the objections to transandrophobia as a concept. It feels and reads like the latest round of queer intracommunity exclusionism, and the fact that this time around I'm not one of the target identities doesn't change that for me.

[ravenmacduff]

Sorry that I'm about to write a treatise on monsterfucking. But this post sparked that little obsessive part of my brain that needs to talk about it. So, I see monsterfucking in a couple of different ways. The most basic and simple is Monster HOT. Monsters are inherently sexy. And writers and directors *coughs Del Toro* recognize this and play into it. The Asset was designed to be attractive with a nice butt and kissable lips.

But we also have to ask why Monster HOT? Well, from my own experience as a trans woman, the monster is always portrayed as "the other". Myself and people like me are constantly demonized. They see us as dangerous. They call us predators, freaks, forced into this societal position where there are legitimately people afraid of us. (This goes for other marginalized identities too)

Afraid in the same way that they would be of a monster. And I think that's where a couple of my own ideas come into place. The first is empathy for the monster. In seeing ourselves in the monstrous, we want to reach out and offer love and affection. The same love and affection that we, ourselves need, and often don't receive. There's many horror movies where the monster just wants to be loved and in the end is rejected. Or killed based on societal fear.

King Kong is one story. It's represented in the final quote of the movie "It was beauty that killed the beast". Kong's love for Ann Darrow, which it's been a while, but I believe was rejected in the 1933 film, and accepted in the 2005 film. Kong always was "the other" (and was suggested in criticism of the film to represent blackness) to Ann Darrow, a conventionally attractive white woman. Kong's love of Ann represented the fears of interracial marriage at the time. Kong craved love, and society doomed him. As someone who is also othered doesn't it make sense to empathize with him?

Shape of Water, again also plays with this but more explicitly. Our Protag, Elisa is a disabled (mute) woman, her best friends are her black co-worker and her gay neighbour. All three are marginalized people. All three are shown to face discrimination throughout the film. Del Toro made sure that the fact these people were othered was text, rather than subtext. The main antagonist, Colonel Strickland, of the story is a white cishet man. His aggression, disregard for others and need for domination are extremely evident from his introduction. He's the kind of man who would be a protagonist in any other horror movie. Back to Elisa, it's her otherness that allows her to see the humanity within The Asset. The intelligence, the capability for love. In the end it's that love that saved both of them, while Colonel Strickland was doomed by his hate.

Those are just two examples of empathic monsters. For myself of course I want to love and be loved, and for a long time the fear of rejection for being a trans woman stopped me from truly achieving that. But I am loved and I'm loved by others like me. Who don't fear me because it found a different way to womanhood. And so of course I love monsters, because it shows I can be loved too.

My second thought about monsterfucking relates to a loss of control. Your powerlessness against a creature 10 times stronger than you. Who has all sorts of ways to make you submit. In other words a non-con kink. A kink that is often highly reviled because of its implications, but also very common. I believe the woman in the picture that I'm responding to is specifically referencing her own disgust with dub- or non-con.

Loss of control is a huge kink because many people, especially women feel like they always have to be in control. In control of their emotions, in control of any situation, in control of their sexuality, in control for their own safety. The point of being in control of our sexuality has been hammered in so intensely that to accept that we even have desires is hard. We're not supposed to want sex, we're supposed to deny ourselves. Slut shaming, attacks against women for being too sexual, all reinforce that a woman is not allowed to want for herself. We crave a release, to stop thinking all the time, to allow ourselves to want.

While heterosexual sex is so focused on the man, on the masculine penis, that a woman's pleasure is oft put to the side. You still have to think about others even when you want pleasure yourself.

Well, the monster doesn't care. The monster is going to give you exactly what you want have been denying yourself. This goes for men too. Louis from Interview with a Vampire is a good example. His bisexuality is frowned on by society, but Lestat doesn't care. Lestat is going to show Louis exactly what allowing himself to let go and accept pleasure is like. And for most of the movie Louis continues to try and deny himself, until he finally lets go and accepts who he is.

Speaking of vampires that brings me to my last point. Monsterfucking as a way to get power. And the clearest example I can think of this is Twilight. Bella, while attracted to Edward, was more interested in receiving the power Edward has, than Edward himself. She wanted to be a vampire and this was clear from the beginning. But Edward had to be all Mormon about it. There's many people who find power in the monstrous. To take a piece of the monstrous into yourself and thus gain the same power. And power is sexy.

Werewolves are shown as power through their physical prowress. It's very rare you see a lanky, malnourished werewolf. *Looks at a certain series with distain*

Idk I kinda rambled on. But those are my thoughts

Every day I am thankful to not be a TikTok user

[bunny-jpeg]

playback

toto wolff

tags: smut/pwp, onlyfans au, naughty live streams, age gap (late-20s/50s), big dick!toto, masturbation, dirty talking, daddy kink, master's student!reader

a/n: toto would do great in porn

you knew you needed to get laid soon. but, with your cramped schedule in your final semesters of your master's program. you were so close to finishing your program and getting the hell out of school and into your field!

but people have needs, and you needed to get your release somehow. you weren't on the hunt for a sexual partner, hell, not even a romantic partner. so you had a little subscription, to a website where you could gaze at handsome men and help get that release you so desire. you had a particular taste for the accounts you subscribed to.

older, taller, domineering and more than happy to spill the degrading language you've ever heard. - and while most came close, one man in particular fit the bill 'torger', mostly known as 'daddy'. you only found out his 'name' by an accidental search online - but that information had been basically scrubbed off the internet since you found it. but he preferred to be called daddy or sir. so that piece of information was locked away as you found his account on a lonely monday night.

his page was simple, the design was clean. everything as organized to a t which made something to watch tonight very easy. you were interested in the newest video, posted only hours earlier. the idea that he was filming and posting while you were holed up in the library trying to piece together evidence for your thesis! it was hot.

you clicked the video and got yourself comfortable with your phone. your hand between your legs. your pussy felt hot, most likely do to the arousal you had been carrying since you got back to your crummy little apartment. you gave a few teasing rubs as the video started.

you didn't actually know what daddy looked like. you've see his naked body, that was what you paid eleven dollars a month for. but you had never seen his face. it made sense that he wanted to protect his identity, but underneath the simple mask he wore, you wonder what he looked like.

he was seated back in bed, the camera pointed on his cock as he said, "about time you had come home, angel." his voice was accented, you weren't particularly good with where it was from. but his voice was low enough that it felt like he was right in your ear as you started to pleasure yourself. his voice was like honey on your sexual frustrated brain.

"i missed you today, my darling. you know how daddy feels about you going out all by yourself." he continued to masturbate himself. a low concept video, but it did wonders for you. "you know that you want to be good for daddy, right? did you behave, follow our rules?"

you swallowed and kept your hand moving. you rubbed the side of your hand up against your clit as you felt the splash of warmth across your face. you couldn't help it, his words got to you. they turned you on.

"angel." his favourite nickname for those who watched his videos. you running assumption was it was gender neutral enough to get anyone aroused. and you were no exception, "did you eat? get enough sleep? you're not falling behind are you? you know daddy holds you in high expectation, you don't want to fail me, do you?" his breathing was heavy in a way that was erotic, you felt the tingle in your toes as you started to move your hand faster.

the stimulation to your clit made you tense up as the sparks of pleasure danced in the back of your head. your eyes were locked on the video, next time you'd watch something this award-worthy on your laptop. see every inch of daddy's cock.

he exhaled deeply, "i bet you have, you know exactly what you have to do day by day. and that's why i'm so proud of you. but, all day i was thinking about you. i thought about your pretty ass on me. i know you'd let me take you apart in our bedroom. i wanted to wait for you to suck me off, but when i think of you i simply can't help myself."

you let out a small moan. you saw how he was stroking his cock. every so often he changed up the pace, which only made him more aroused. his blunt tip was leaky pre-cum, with his own sexual want. it was all a fantasy, but your aroused brain near drooled from the sight of his cock.

he once measured it for a photo and you saw loud and clear that it was a little over eight inches and thick enough to do damage if used incorrectly. but he seemed like the type to make sure his partner's came first. you had seen his collaborative work with other. usually a younger partner to come in and suck him off while filmed. even that was hot too, because it made you yearn to be in the woman's position. taken apart like that, fucked until bruising.

"will you be good for me, angel?" he asked near out of breath, "will you get on your knees for daddy and apologize for being out so late. you know i need to know if any infractions were done. if you were bad and we'll take it from there. i'll even let you pick out your punishment. but i have a feeling you were good for me. so i won't choke you on my cock. i know that gag reflex of you is so shallow, but maybe when we take our vacation i can properly train your throat. about time you learn to take what's yours." his breathing was staggered as more pre-cum dribbled out of his hard cock.

you continued to pleasure yourself, it only mounted in your body the more you played with yourself. you never knew that someone's words, some stranger's words, could turn you on so much. to make you cunt soaked with the idea of sucking his cock. of being good for him, a listening, obedient little thing. it ran heat through you.

"i want you, angel." he said softly, "i want you so badly. you have no idea what kind of man you make me. i become a beast when i am with you. everything about you, you're irresistible." he changed the pace of his movements as he pleasured himself.

you moaned a little louder at the video. you felt your toes curl and your calves tense up as you worked your hand across your sex. the pleasure was intense in a way that it made you near dizzy. you loved it, the feeling was intense in a way that drove you near the verge of insanity. his type of videos worked themselves into your little routine, his caring yet domineering tone. how he spoke to the camera, it only fueled the need to touch yourself.

"so good for me." he said lowly, "look at how much you've done. daddy believes in you, so why don't you try to take him all tonight. you know it won't bite." he chuckled which only made your heart rate pick up.

soon your climax hit and it was like being hit in the gut. you tensed up and came with a sharp noise that exited your lips. it felt amazing. you laid there with your hand still up against your clit as toto continued to masturbate. his words filthy yet supportive, it was a cocktail that turned you on even after you came.

"my angel." he purred, "i'm cumming to thoughts of you." you looked at the screen, his hand tightened around his cock. you could see the tattoo of the moon he had on his wrist. you've seen his cum all over that too before and it was quite the sight. he said quietly, "my sweet, sweet angel." before he came all over his hand which excited you.

his breathing was heavy pants as were yours. the video soon ended and you laid out in the glow of your phone screen as you laid there heavily breathing. your heart was pounding as you tried to regain some semblance of stability.

you thought of his tattoo and that large hand around your throat. it didn't hurt that you were able to get a second round to thoughts of torger fucking you.

-

you were asked to attend a guest lecture in your program. it was suggested by a friend as something free to do on a tuesday morning. the lecture hall was sparsely occupied. you and your friend sat near the front and the guest professor was already there.

older, taller - your friend remarked, "probably get a packed house just to catch a glimpse of him." then giggled. you could see the appeal of him. the thick rimmed glasses and short hair that was dyed to keep its youthful appearance. he looked like a man who knew what he was doing in his suit, the first few buttons of the button up shirt were undone, it made you do a double take.

but it wasn't until he reached up to move the chalkboard upwards, that you caught the glimpse of. your heart stopped for a moment as you saw the ink around his wrist. a familiar moon tattoo.

"what's this guy's name again?" you said quietly, unable to remember the professor's name.

"toto wolff... but his legal name is like torger or something." and you weren't too sure if colour left your face or flooded it. because the guy you masturbated to last night was teaching a guest lecture today and you had near front row seats to him. <3

[fenicearts420]

So, thanks to a certain someone's lil Christmas gift to me (@hplonesomeart), it gave me some inspiration to create a lil someone for Marie.

Meet Okra! She's a female terrible terror, so basically a flaming chihuahua with wings. For some reason, her tongue always sticks out a little on the left side of her mouth. We don't know why.

When Marie first moved into her new home, she found Okra just kinda chillin underneath the porch. She didn't feed her at first, lest she face the horrors of a flock of terrible terrors set upon her. However, after a few days, no other terrible terrors came. It was just Okra. Marie finally gave her some fish, and ever since then, Okra has not left her side.

She's a sweet girl who loves Marie and is very protective of her. So, you can guess how she felt about Mr. Puzzles at first😅 She warms up to him...eventually. She'll tolerate other people and creatures, but for the most part, she only really likes Marie.

Okra is chilled out most of the time, but she's still a terrible terror and likes to cause mischief every now and then.

That's all I got about her for right now. Send me an ask if y'all wanna learn more, but this may be my last post for a little while. I need a lil break and some time to work on that project I showed y'all a wip of. Take care! Love y'all!

[niteshade925]

April 20, Beijing, China, National Museum of China/中国国家博物馆 (Part 5 – Ancient Chinese Porcelain exhibition/中国古代瓷器展):

First post of the year, gotta start with something good: this is a rather famous vase from Qianlong era of Qing dynasty (1644 - 1911). It's made in the suantouping/蒜头瓶 (lit. "garlic-head vase") shape, and decorated with falangcai/珐琅彩 (basically cloisonné but done on porcelain instead of metal). The design features a nice combination of traditional Chinese chanzhihua/缠枝花 motifs (traditionally this continuous plant motif symbolizes longevity) and European art influence, specifically from rococo. This is interesting as rococo was also influenced by Chinese porcelain, making this vase another example of cultural influence going both ways.

As mentioned in my previous announcement post, my visit to the National Museum of China was very brief, everything took place in the span of one day (plus traveling to and from Beijing), please pardon the picture quality.

And from here on I will be going in chronological order. Below is an urn from the Northern Dynasties (439 - 581 AD). This urn was decorated with lotus petals all around, and was specifically a type of grave good, not made to be used by the living. Lotuses are a commonly used symbol in funerary rites due to its association with Sukhavati (Sanskrit: सुखावती; referred to as "极乐世界" or "Land of Bliss" in Chinese) in Mahayana Buddhism.

Another urn, this time from the Sui dynasty (581 - 618 AD) Shouzhou kiln/寿州窑. This urn may also have been grave good, as evidenced by the numerous Buddhist symbols all around.

Left: a small Sui-era vessel, found in a tomb. It's probably also a grave good, because of its pointy design (imagine holding that).

Right: a group of small Sui-era grave goods, these were tiny and adorable

In the middle is a Tang dynasty (618 - 907 AD) pitcher, made by the Lushan kiln/鲁山窑. This pitcher displays Lushan wares' characteristic blueish glaze, where the blue comes from different concentrations of iron oxides.

Left: a Northern Song dynasty (960 - 1127) white-glazed wine vessel called a meiping/梅瓶 (lit. "plum vase"), but in Song dynasty it was called a jingping/经瓶.

Middle: a Northern Song era white-glazed Ding ware/定窑 plate decorated with the double fish motif.

Right: this one is pretty cute, it's a container for weiqi/围棋 pieces that's shaped like a drum, made by Yaozhou kiln/耀州窑.

Left: forgot to take a picture of the placard, but my guess is that it's a bamboo-necked celadon-glazed Longquan ware/龙泉窑 vase (I might be wrong).

Right: a small Southern Song dynasty (1127 - 1279) Ge ware/哥窑 bixi/笔洗. Bixi are containers used to rinse traditional brushes. This bixi has the crackled glaze that's characteristic of Ge wares.

Left: a small haitang/海棠 flower-shaped celadon-glazed lidded container box called a taohe/套盒, made by Southern Song dynasty guan kiln/官窑 (guan/官 means "official", so "guan kiln" is best understood as the kiln that's run by the imperial court; this is important as later dynasties may have their own guan kilns). These containers can hold various small objects including food, and are stackable.

Right: a Song-era haitang-shaped rose purple flower pot, made by Jun kiln/钧窑. Jun wares are known for their glaze colors, which shift and change according to the firing temperature, this is known as yaobian/窑变 (aka kiln transmutation or "flambé"). This particular flower pot became part of Qing imperial court's collection later on.

A Yuan dynasty (1206 - 1368) qinghua/青花 ("blue and white") porcelain pot, decorated with dragons. The blue color in the famous qinghua porcelain comes from cobalt blue pigment in the underglaze.

A Yuan-era qinghua porcelain vase decorated with a flying fenghuang:

Two Ming dynasty (1368 - 1644) tall-footed bowls, the left one has a glaze known as "sweet white glaze" (甜白釉), since this shade of white was likened to the white of crystal sugar; the reign mark indicated that it was made during the Yongle era of Ming dynasty. The bowl on the right has the peacock blue glaze (孔雀蓝釉), and the reign mark indicated that it was made during the Xuande era of Ming dynasty. Reign marks are markings that indicate the dynasty and era during which a piece was made.

A side note on era names or nianhao/年号: nianhao was a way of identifying years in imperial China and was usually decided by the reigning emperor at the time. One emperor may have multiple era names during their reign if they so choose, however since Ming and Qing dynasty mostly have just one era name per emperor, Ming and Qing emperors are often referred to simply by the era name they used, for example Yongle Emperor (temple name Emperor Chengzu of Ming) or Qianlong Emperor (temple name Emperor Gaozong of Qing). Depending on the context, usage of a Ming or Qing era name may refer to the time period during which an emperor reigned, the emperor who used the era name, or even both.

Three Ming-era monochrome (called danseyou/单色釉 in Chinese) porcelain plates. Monochrome porcelain became popular in Song dynasty, and has been popular ever since, but overall three dynasties were the most famous for their production of monochrome porcelain: Song dynasty, Ming dynasty, and Qing dynasty (1644 - 1911). Recently monochrome porcelain has been gaining popularity again, since their vibrant colors fit into modern aesthetics surprisingly well.

A wall of monochrome porcelain plates, illustrating the effect of different elements and firing temperatures on glaze color.

A set of wares that may be found in a study, made in the Kangxi era of Qing dynasty (1662 - 1722). The glaze used here is quite famous, called jiangdouhong/豇豆红 (aka cowpea red), created by applying copper red glaze in high temperatures. The end result is notoriously hard to control, so some pieces may turn out to have multiple colors, mostly the shade of red as seen below and apple green. The left and back pieces are both small decorative vases (for the longest time I thought the one on the left was an upside-down bowl......lol), the small box in the front is a seal paste box, and the flat bowl on the right is a bixi.

Left: red and blue yaobian vase, made during the Yongzheng era of Qing dynasty (1723 - 1735); unfortunately due to the angle here, you can only see a little bit of the blue streak running down the front. The colors are so vibrant here that this kind of yaobian has earned the nickname of "flaming red"/火焰红.

Right: a langyaohong/郎窑红 (also called "sang de boeuf" or "oxblood") vase, made during the Kangxi era of Qing dynasty. Langyaohong glaze is known for its deeply red color, hence the names that relate it to blood.

A Kangxi era blue glazed gilt porcelain vase. I love the intricate interconnected lotus patterns (chanzhilianwen/缠枝莲纹) here. I didn't have time to take a picture of the placard so it literally took hours of pulling my hair out reverse image searching to find out when (which era) this vase was made................. (btw the text in the back refers to the painting in the background, not this vase)

Left: a youlihong/釉里红 vessel that's shaped like an apple, so it's quite literally named a pingguozun/苹果尊. This shape is rather unique to the Kangxi era. Youlihong (lit: "red inside glaze") is basically a red copper oxide underglaze.

Middle: a youlihong vase made in the Yongzheng era.

Right: a larger vase made in the Yongzheng era that combines qinghua underglaze and youlihong underglaze in one piece.

This giant qinghua vase from the Qianlong era of Qing dynasty (1736 - 1795) was made in the shape of Shang and Zhou dynasty ancient bronze ritual vessel named gu/觚. This is also one of the few pieces produced in history that had the name of the potter attached to it. The potter who made this vase was Tang Ying/唐英, and he was the superintendent who oversaw imperial porcelain production in Jingdezhen/景德镇 (basically the Ming and Qing dynasty guan kiln) during the Yongzheng era and the Qianlong era. Together with the Kangxi era, these three Qing dynasty eras are collectively called "清三代", or "the three Qing generations (of emperors)", this was the second height of porcelain making in Chinese history after the "five great kilns"/"五大窑" of Song dynasty.

A column shaped openwork fencai/粉彩 incense holder from Qianlong era, where fencai is basically overglaze enamel decoration that falls under famille rose.

Left: a Qianlong era green fencai vase that feature kaiguang/开光, which were window or panel-like designs on the piece where scenes may be painted. This particular vase also displays poetry by Qianlong Emperor himself.

Middle: a fencai shuanglianping/双联瓶 made during the Jiaqing era of Qing dynasty (1796 - 1820). Shuanglianping are conjoined vases that symbolize the coming together of matching talents or generally good things.

Right: a Qianlong era gourd-shaped doucai/斗彩 vase with kaiguang. Doucai combines both underglaze decorations and overglaze decorations.

I want to draw special attention to this leaf-shaped fencai cup in the middle that was made in the Guangxu era of Qing dynasty (1875 - 1908). The "leaf" part is actually a lotus flower, but the cool thing about it is that the green stem part is a built-in straw, so this is a highly decorative porcelain straw cup. I really do hope there are cheaper modern replicas of this cup sold somewhere, I want one

Finally, to wrap up this exhibition, here's an arrangement to show how these different porcelain pieces would be utilized in a traditional study room.

[pro-cycling-primers]

🚴‍♀️🚴‍♂️ So, you're interested in starting watching cycling in 2025 (I hope), but have no idea where to start? 🚴‍♂️🚴‍♀️

Before the start of the road cycling season this year, I thought I'd post some information for people completely new to the sport. You might have seen some Tumblr posts going crazy about men and women in tight lycra, or watched a bit of the Tour de France on TV once, or maybe this post found you some other way! Let's get to it.

When does it happen?

Cycling doesn't have a set timetable nor are races only at weekends. It's mostly the same each year, but there have been some changes over the hundred-plus years professional cycling has been around.

The WorldTour (highest level of pro cycling, more about that in a later post) season lasts officially from January until October, with the full women's calendar for 2025 looking like this:

And the men's like this:

Don't try to watch all of them. Or do, I'm just a Tumblr blogger hoping more people get interested in this great sport 🤷

Okay then, which races should I watch?

The answers to this are many and varied; every list of 'best races to watch' will have at least one cycling fan clamouring 'But HOW could you ignore [x]!?'

In terms of basic introduction to the sport, I think this would give a solid season-wide grounding:

Five one-day races have mostly arbitrarily been declared The Monuments: Milano-Sanremo, Paris-Roubaix, de Ronde van Vlaanderen, Liège-Bastogne-Liège, and Il Lombardia. (A more detailed post about these will be coming later in the season). All but Lombardia have men's and women's versions, with Milano-Sanremo Donne running for the first time in 2025, though Trofeo Alfredo Binda is a more well-established women's race in a similar region at a similar time.

Each has its own quirks, history, and favour different kinds of riders. The big names (except the pure stage racers) will be there.

I'd also recommend one of the early-season one-week stage races, Paris-Nice or Tirreno-Adriatico. They run at the same time, for one week in March, and present the first opportunity for the top stage racers to stretch their legs (another post about different types of riders will come). On the women's side, Itzulia Women or Tour de Suisse.

One of the Grand Tours is in my view, essential: Giro d'Italia, Vuelta a España, or the big one, the Tour de France

If you want, you can disregard this entire section and just watch the Tour. It's the biggest race there is, the most-covered, and teams bring their best riders in their best shape. It's a massive cultural event. If you take nothing from this post other than following a little closer in July, then it has been a success in my book.

How can I watch cycling?

Cycling has a serious lack of easily accessible coverage. Every race organiser has different TV rights arrangements, varying MASSIVELY from country to country, with some having free-to-air coverage of most races on national television but some having no option other than the paid services Discovery+ and Eurosport.

For an international suggestion there is a lovely site: tiz [dash] cycling [dot] io has free (!) livestreams of every race you could feasibly ever want to watch, and a back catalogue covering most of the last decade +

5-15 minute highlight videos from YouTube channels such as Eurosport, FloBikes etc. are also available a few hours after a race finishes! The Tour de France has its own channel with decent highlights and interviews.

See you later in the season!

[zomboivex]

Duality of Deception

A character study of Tohma Ishibashi

࿆࿆⸅ྃ⸄࿆⸅⸄῁̟࿆⸅ྃ⸄῁࿆⸅⸄῁̟࿆⸅ྃ⸄῁࿆⸅⸄῁̟࿆⸅ྃ⸄῁࿆⸅⸄῁̟࿆ ⸅���𓆌𓊇⸄῁࿆⸅⸄῁̟࿆⸅ྃ⸄῁࿆⸅⸄῁̟࿆⸅⸄῁࿆⸅⸄῁̟࿆⸅ྃ⸄῁࿆⸅⸄῁̟࿆⸅ྃ⸄࿆⸅⸄࿆࿆⸅

Sections

Notes & Disclaimers

Basic Information Breakdown

Cards & Cosmic Bonds

The Story So Far

What May Come to Pass

Overview

Final Author Notes

Credits & Sources

࿆࿆⸅ྃ⸄࿆⸅⸄῁̟࿆⸅ྃ⸄῁࿆⸅⸄῁̟࿆⸅ྃ⸄῁࿆⸅⸄῁̟࿆⸅ྃ⸄῁࿆⸅⸄῁̟࿆ ⸅𓊆𓆌𓊇⸄῁࿆⸅⸄῁̟࿆⸅ྃ⸄῁࿆⸅⸄῁̟࿆⸅⸄῁࿆⸅⸄῁̟࿆⸅ྃ⸄῁࿆⸅⸄῁̟࿆⸅ྃ⸄࿆⸅⸄࿆࿆⸅

Notes & Disclaimers

Another super long post incoming here! A few gentle reminders that I do this primarily for fun and do not make any profit from these posts. What I write here are simply from things I’ve found and took from the story provided. They may be debunked or inaccurate in some instances but I still think it’s fun to do deeper dives into characters. If you disagree or don’t like what I’ve written here, that’s completely fine. Just don’t be hostile towards me about it.

A lot of this really is just fun speculation on my part. So I don’t really expect any of what I say to come to pass. It’s just a nice in-depth look of characters from a game I enjoy.

If you read this entire post, be sure to let me know what your thoughts are! I love having in depth discussions with others. If I seem to have misunderstood something or missed complexities, due to not growing up with Japanese culture, feel free to let me know!

Additionally, I do plan on eventually doing this for all the ghouls in the game. It takes a while to do these posts so if you’re looking forward to a certain character, it’ll come. Eventually. Maybe.

Anyways! I’ve rambled enough! Enjoy the deep dive!

࿆࿆⸅ྃ⸄࿆⸅⸄῁̟࿆⸅ྃ⸄῁࿆⸅⸄῁̟࿆⸅ྃ⸄῁࿆⸅⸄῁̟࿆⸅ྃ⸄῁࿆⸅⸄῁̟࿆ ⸅𓊆𓆌𓊇⸄῁࿆⸅⸄῁̟࿆⸅ྃ⸄῁࿆⸅⸄῁̟࿆⸅⸄῁࿆⸅⸄῁̟࿆⸅ྃ⸄῁࿆⸅⸄῁̟࿆⸅ྃ⸄࿆⸅⸄࿆࿆⸅

Basic Information Breakdown

Marketed Mastermind

Tohma Ishibashi is a multifaceted character that has been marketed towards us, the consumer, as someone who has many fingers in the pot. He’s seen as conniving, secretive, and willing to get his hands dirty in pursuit of his goals.¹ He keeps his own interests close to his chest, revealing his truth to no one in the process. The game, even in multiple mentioning of him, goes out of its way to paint Tohma as a Mastermind. Capable of deceiving those around him while leaving his true intentions unclear to everyone- including the reader.

Tohma has been described as calm and collected with an insidious glint in his eye¹ as well as the card names even hinting at this darker nature such as; Contrived Smile or Watchful Shadow. Even in his actions and responses in the game, we see Tohma painted as a man who has ulterior motives and works within the shadows- meeting in secret with a house that his own allegedly has discourse with or getting into heated conversations with other house vice-captains while giving scathing commentary to MC.

Even with all of this, Tohma constantly reminds Jin that he can trust and rely on him. And even his actions state this to be true thus far. Working in ways to benefit Jin and helping his stigma issue remain a secret. Tohma also regularly reports to Jin and seems to even share warnings that his secrets cannot be kept forever.

So the question begs…

Can we trust Tohma?

It’s In the Name

Names are usually given from the aspirations the parents have for their children. Or at least, it’s easy to believe this. As far as characters go, it’s usually a way to tell what the characters journey will be in their story. Tohma’s name is just as complex as he is, showing that he could be either a hindrance or a help to others. That he has the duality of being both good and bad- leaving his intentions unclear to us, the readers.

What do I mean by that?

Well, let’s take a look at his name.

Tohma [塔真] - tower + truth/reality ²

Ishibashi [磴] - stone steps/stone bridge ²

Focusing on tower, for now, we can go over a few different meanings for this symbolism.

Having your movements restricted and horizons limited can be troubling for many- towers representing this in both a physical and mental realm of reality. For the physical representation, it can manifest in the form of material possessions you gain over time and now feel the need to protect. For the mental representation, it manifests through stubborn behaviors or mannerisms or remaining ‘close minded’. Both of these limiting us in different manners. One causing us to have the need to protect physical items and spending all of our energy doing as such. The other chaining us to our thought patterns, unable to break free from our own way of thinking. ³

Now, I don’t believe that this necessarily fits with Tohma. Or, at least, it doesn’t seem to fit with how he is presented to us. Tohma very much is a character who seems to be unlimited in what he can accomplish due to not restricting himself to any set morals or values (that we can currently see). However, we do see that he is limited by someone who is stuck due to their circling thoughts of their own entrapment. Jin Kamurai.

Towers also hold another representation; aspiration and ambition. Their towering height showing us that, we too, can reach high with our ambitions and rise above. ⁴

This seems more along the lines of what we have seen Tohma described as. Ambitious and aspired- not worrying about getting his hands dirty in the process. He has even been described as running things in Jin’s absence.¹

Strength and stability are also key features that towers can represent. They are large, towering, and immovable objects. They have a solid foundation that allows for them to reach to the skies and reinforce the ideas that true strength does not come from isolation, but from standing firm in your own beliefs and principles. Towers invite introspection and self-assessment, urging those around them to build their own lives with the same sturdy foundations that the towers are built with. ⁴

Connecting this back to Jin, I think it is clear that Tohma represents himself as the tower in Jin’s life. It seems he is urging him to stand up and remove himself from isolation. To have Jin push his own beliefs and principles. Or- perhaps- to push the beliefs and principles that Tohma holds. Either way, I think that Tohma having his name represent ‘tower’ is very telling for his character. He seems to be the ever-looking figure in Frostheim, leading them forward and remaining rooted while making sure things do not crumble in Jin’s absence. He is the one pushing Jin to do more- despite Jin’s silent concerns of his own potential failings.

The next part we’ll focus on is the Truth/Reality of his name.

Having Tohma associated with Truth and Reality is an interesting choice on the game’s part. There are many things, within the Tokyo Denunker universe, that we do not have the full truths for. It is a mystery story that leaves us with many questions- only answering small portions and giving more questions behind.

What is the truth in Tokyo Debunker?

What is Truth and Reality in a world that has anomalies- the very thing that deviates from the ‘norm’?

And what is Truth and Reality for Tohma Ishibashi?

Tohma is painted very much as a character filled with deception. Many things in the game eluding to the fact that Tohma is not one you should find trustworthy. These will all be explored further in depth in their respective portions of this post. But it’s something to keep in mind, while reading.

But another important thing you should make note of is that despite his lack of trustworthiness, Tohma often states to Jun that he should trust him. And Jin seems to- to some degree. And I wonder why this is.

Now, onto Tohma’s family name; Ishibashi.

Stepping stones & stone bridges.

Both of these can very easily be looked at in both a connecting and disconnecting manner.

Specifically, for bridges, they can represent the transition from one state to another. The ending of a cycle and rebirth into another. As well as a desire for change. ⁵

Again, we see themes of cycles pop up in Tokyo Debunker. On my analysis of Jin Kamurai, we spoke of the Social Cycle Theory and how that tied into not only the characteristics of Jin Kamurai, but also the game, in of itself. But here, the mentions of cycle seem to indicate that they are not repeating for the sake of following in a similar or same path but a cycle that leads from one destination to a completely new destination- looking for change. For a different outcome. The emphasis falling on breaking the cycle of repeating itself and, instead, starting a new cycle that will have a different outcome.

Bridges also can symbolize the transition stages in your life, the connection between the conscious and unconscious, dangers of crossing a boundary, confidence, advancements, goals, fears, anxieties and emotional troubles. ⁵

This casts a wide net on the meaning for bridges, as it seems that the destination can vary depending on how you approach the subject. Very much like Tohma, who is complex in his duality of what he can achieve and how he goes about achieving it. He could very easily flip between being a bridge that crosses over into heaven or into hell. There is also something to be said about the phrase of burning bridges. Is Tohma the type to burn bridges? I don’t personally think so. He seems more the type to explore every avenue he can to get what he wants. But, ultimately, we don’t know what Tohma wants. All we know is that he’ll do whatever he can to reach his goals- whatever they may be.

Metaphorically speaking, bridges can be meeting points in arguments and negotiations. You build a bridge to cross challenging terrain to get from one side to another. ⁶

In our language, we use bridges often as a way to convey having discussions or negotiations with others. Phrases such as “bridging the gap” or “we’ll cross that bridge when we get there” or even “burning bridges” all seem to have implications of connections with other people and how we can use our words to build or destroy those connections. By meeting others halfway, dealing with a situation once it arises rather than pre-planning, or eliminating a connection altogether. ⁶

It’s curious, then, that Ishibashi seems to strongly focus on connections with others. The same aspect easily applied with the Stepping Stones part of his name as well. Using others as a stepping stone immediately comes to mind. Which also plays into Tohma’s nature of stepping on others to reach his ambitions.

However, stepping stones can also illustrate taking steps to navigate a difficult or larger situation. Allowing you to break tasks down into smaller ‘steps’ that can be achieved in order to reach a larger goal. Stepping stones allow us to take smaller steps rather than one giant leap. Allowing for advancement at a safer and more planned pace rather than being reckless. ⁷

This can also show that Tohma carefully plans around his actions and takes things in smaller strides rather than racing to the finish line. He is meticulous in what he does- carefully crafting his plan so that he has a larger chance of success at whatever goal he is trying to reach.

I think, when putting the name together, it paints a particular picture.

Tohma is an ambitious man. One who seems to almost be a looming tower within his house- firm where he stands and ambitions high in the clouds. He seems to represent, for some, a sturdy and reliable person that empowers them due to the connections he has built with them. Namely with Jin, whom Tohma seems to have built the most communication with. We see him with Jin the most and, with Jin, he seems to have established a close enough relationship where he is entrusted with valuable information.

But is this trust something that Jin will regret?

Whatever the case is, the name heavily suggests the possibility of both. And I believe Tohma to be the type of person who will keep his options open until the absolute last minute where he will need to make a choice. And then, in his moment of truth, we will see whether he bridges the gap or burns the bridge.

Signs Within the Signature

Signatures can reveal a lot about a character. Tohma is no exception. His own signature showing various aspects of his characteristics and the duality of who he is as a person.

When you look at the signature, you can tell that it has a slight right lean. Subtle right leaning text can show signs of ambition, optimism, creativity, and vitality. ⁸

Tohma, as we have stated before, is an ambitious character who strives to meet his goals under any circumstances. It would not come as a surprise if he was creative in various ways of reaching said goals. There also has to be a level of optimism and vitality to believe you’re going to reach said goals and to actively work towards them.

Legibility for the signature is also clear. Each letter well defined and easy to read. This can indicate open and straightforwardness. ⁸

This aspect is an interesting one. Tohma is not a very open or honest person. At least, not in how the game presents him. However, Tohma, himself, may be attempting to appear as an open and straightforward person. He certainly seems to act this way towards both Jin and Alan, as both captains seem to believe his words and advice to some degree.

When the i-dot is more of a slash, it can indicate impatience or being in a rush. The i-dot in Tohma’s signature very much being similar to a slash or line than a small dot. ⁹

While Tohma is more of a particular person, he does have the tendency to also act quickly when needed. I can imagine that he is not the type that rushes into things head on without a plan- unless he has sufficient backup. But he can handle things quickly and efficiently.

Heavy pen pressure can show a strong sense of being active and having strength and energy as well as intense motions. It could also be how they felt in the moment. Tohma’s signature having thicker lines implying that his pen pressure was a bit heavier. ⁹

Tohma has been described as someone who has a lot of brute force, to begin with. And we’ve already discussed how he has quite a bit of vitality, as well. Keeping up with everything he does around Frostheim must also take up a considerable amount of energy while also maintaining missions and meeting in private with others and also working on whatever his secret goal is. Having a heavier pen pressure does not come as a surprise to me.

Baby, He Was Born This Day

Tohma was born on May 31st, slotting him as a Gemini.

Those who are born on May 31st are typically considered ‘peacemakers’. Often, they make it their goal to lead others to a satisfying conclusion with their communications. They’re able to find purpose in just about anything and can change perspectives- making sure conversations don’t dwell on unimportant or off-topic matters. ¹⁰

While Tohma has the tendency to skirt around topics and speak in a shady manner, he has the capabilities to steering others into conversations he wants to have. He’s quick to quip back and guide conversations back to the topics he wants to discuss- which we see when he interacts with Jin or MC.

Having a tendency to expect too much from those in their life, people born on May 31st can be set up against frustrating challenges. They can remain level-headed as long as they are given some quiet, secrecy, and space in their relationships. Preferring the company of those who can be silent with them and, in turn, understand their silence as well. ¹⁰

Time and time again, we see Tohma having expectations from Jin. Wanting his captain to come out of seclusion or to partake in missions. He often reminds him that he cannot keep his stigma problem a secret forever and that, eventually, it will come out to the public. He is able to remain rational through this all, never once snapping at Jin despite his outbursts at him. Keeping calm in the face of having an ash tray thrown in his direction or a sword swung in his general direction.

It seems Tohma, in turn, is allotted a lot of trust from Jin- even when he does state he distrusts him. He’s given his privacy and allowed to work in ways he deems to be the best. Secretive and working within the shadows while also remaining a frontman for Frostheim. The duality of Tohma surfacing once again.

There is a level of admiration for those whom they respect and view as moral. Spending their company with those that they deem as just. ¹⁰

Again, we see Tohma spending time with Jin quite a bit. He states that he views Jin as a kind person and lists off how Jin has helped behind the scenes. Even when he’s not active in front of others. Additionally, Tohma notes how he and Jin will benefit from one another, stating they’ve made some sort of deal. Ultimately, it seems they’re working towards a similar goal.

Individuals, such as Tohma, are proud and confident as well. Stopping at nothing in their path when they set their eyes on a goal. They are educated and rarely in a sour mood. However, they can lack the ability to connect with those in their social circle. This can lead to them having awkward or even uncomfortable moments with others. ¹⁰

Again, Tohma is typically not seen in a sour mood. He’s calm and collected, often wearing a smirk. That being said, we have also seen Tohma having some conflict with other characters. Between Leo interrupting his meeting with Alan and his very tense conversation with Haku and Rui, it’s clear that he has some very uncomfortable moments with others.

Overall, Tohma’s day of birth might not hold much significance for his character. But I think it does highlight certain aspects of his personality that shouldn’t be overlooked.

Dress to Impress

When you look at Tohma’s appearance, it’s pretty easy to tell right off the bat that he’s trying to portray himself as something other than what he truly is. Clean cut clothes with minimal color, neat hair, and a monocle to top it off. Comically, he seems to almost portray a caricature of what an extremely wealthy person may look like. But why is that?

For this section, I’m only going to focus on Tohma’s casual outfit and not any of his other outfits.

Aside from the monocle, the next noticeable thing about Tohma would be the beige on beige on beige. Okay. Not exactly all beige. But he’s wearing a lot of beige.

Beige can be considered a dependable, conservative, and flexible color. It evokes energy and strength while also coming across as intellectual and trustworthy. It’s a color that can go beyond any problems you’re facing by helping you rely on your inner strength. ¹¹

It’s telling that Tohma is wearing a color that’s commonly associated with being trustworthy. It seems this is an image that he’s trying to put out of himself- wanting to come across as someone that you can depend upon while not being overbearing.

Furthermore, if you enjoy the color beige, it’s natural for you to be welcoming to others. You prefer living a quiet lifestyle and don’t stand out in a crowd- wanting to be seen as normal. ¹¹

To emphasize further on Tohma’s attempt at masking himself as someone who belongs, it seems that wearing beige was a deliberate choice. For someone who is analytical and carefully considers their options, it would make sense for him to select a color that doesn’t stick out to wear on a more casual manner.

Beige has the ability to generate feelings of stability and reliability, creating a welcoming environment. ¹²

Again, Tohma is selective in what he wears and is careful with how he presents himself to others. Wanting to be seen as someone that can be relied upon. Fitting for someone who is a Vice-Captain while also heavily taking on the duties of his Captain in his absence. He would want to be seen as being dependable to those in his house. Especially with how much they distrust him from his switch from one house to another.

Of course, we can’t analyze Tohma’s appearance without touching on the one thing that really causes him to stick out from the crowd. His monocle.

Seen as a symbols of status, monocles were often only worn by the wealthy and elite upper classes. Due to needing to be made for a custom fit and costly materials such as gold, silver, and tortoise shells, they weren’t something the every day citizen could afford. ¹³

Additionally, monocles can also come across as a caricature of an intellectual and rich elite. They’re seen as pretentious to some, due to the ‘high class’ status that comes with owning the eyewear. So it’s fascinating that someone who painstakingly wears beige on briefs also chooses to wear something that almost seemingly mocks those he’s around- the wealthy upper-class elites of Frostheim.

The duality of this being he could be wearing it as an earnest attempt at blending in. Making himself seem more fitting to brush shoulders with aristocrats and nepo babies. Or it could be a not so subtle jab at their snobbish appearances. It’s truly hard to say.

What we can say, though, is that Tohma does seem to give his clothing some deliberate consideration.

Personally He’s Not Personable

Tohma is more focused on the tasks at hand rather than building relationships. Sure, he can be social when required. But his focus seems to be more on his job and requirements than it does on his connections with others. So much so that Tohma does not seem bothered or perturbed by the thought of masking his true intentions and personality from others to reach his goal. Keeping many of his thoughts and opinions to himself and only speaking when trying to gain something from others.

There also seems to be a more focused on working in the shadows. Tohma does not need the attention from others to feel as if he has done a good enough job. His desires stem from getting the job done and getting it done in a matter he deems to be satisfactory. He doesn’t have to bask in the praises of others- finding joy in simply doing a job well-done. Additionally, Tohma values the job being done in an efficient manner while making sure that it is done in a way that leaves no room for error. He seems to crave challenges and thrives off of solving difficult situations- such as when Jun demands him to charge forward and take down anomalies while also carrying a child.

All that being said, Tohma is also a rather reliable person. So long as your interests align. He seems to put his best foot forward, keeping face even when a situation seems difficult or faces with aggression. He remains calm under most circumstances and seems to act as if he always has the upper hand. Even when put in a surprising situation, such as when Leo tricks him and Alan into meeting one another, Tohma still manages to come out not losing much in the situation. Alan still trusts him, despite Leo’s protests and Leo still has very limited information on what it is, exactly, Alan and Tohma are meeting up and discussing.

Still, it’s quite clear that Tohma is not a personable person. Even on his character profile, his ‘Likes’ are marked as N/A.¹ He picks uninspired clothes- aside from the jabbing monocle, and he keeps a cool head. His interests are kept to himself, save for a potential interest in chess. And, again, can we truly say that he’s passionate about chess? Or is that something he picked up because it’s Jin’s favorite thing? Who really knows. He keeps everything closed to his chest.

He’s Got the Power

Like many ghouls, Tohma had both a stigma and a special artifact. Additionally, he has brute strength- seemingly more so than the other ghouls- and access to a wide range of artifacts due to Darkwick seemingly entrusting him.

Argeas allows Tohma the ability to transmit vibrations over long distances. It gives him the capabilities to send messages long distances and can be amplified to even go through anomalous soundproofing through MC’s own ability. Additionally, paired with his brute strength, Tohma even has the strength to use the vibrations to completely destroy building foundations through creating earthquakes.

Tohma also has a special artifact in the form of a halberd. While we don’t know what capabilities his special artifact does, at this time, we do know that he uses it to cut anomalies and slam into the ground to presumably send vibrations down to the building base to help destroy it.

There’s also Tohma’s noted brute strength, which we spoke of already. It seems to amplify his stigma and seems to also allow him to fully use a halberd without breaking a heavy sweat over it.

Finally, while not an ability, Tohma does have access to more ‘rare’ artifacts. Such as the skeleton key. Stating that Darkwick allows him to have access to such artifacts due to having built trust with them.

His Relationships

Tohma is interesting in the way that he acts with other characters. Here, we’ll break down the very basics of his relationships with the other characters. I won’t go too far in depth with each one, as there are still so many. And I’ll leave theories to the What May Come to Pass section. So this will primarily be focused on the surface level of the relationships and how they have been presented to us thus far. I am also leaving out staff, at this time. Though, I will note, I would not be surprised to learn that he has some dealings with the staff in any way.

Jin Kamurai

Jin and Tohma have a rather complex relationship that I don’t think can be summed up easily in this post, alone. It seems the two have some sort of agreement amongst one another, working together for some larger goal at hand. We still don’t know what this goal is but it seems that it does pertain to, at least, Jin getting some form of revenge for ‘her’. Heavily implied to be his mother. Additionally, the two have a rather fueled relationship where they both can be quippy towards one another. Making snide remarks and calling the other out on their behaviors. It appears they’re close. But the details beyond that, are elusive to us.

Kaito Fuji

Kaito and Tohma don’t have many direct interactions, to say the least. Kaito still seems to crop up around him quite a bit. Likely due to the both of them sharing a house together. Additionally, they’ve both worked on at least one mission together, so far.

As it is now, I don’t believe that they’ve had much direct conversations to really warrant their relationship to be beyond just housemates. Perhaps Tohma not really viewing Kaito as much, at all.

Lucas Errant

Lucas and Tohma also don’t seem to have many in-depth interactions with one another. But we do see Lucas going to Tohma and asking to be given a high ranking mission. This declines and states that he, quite frankly, does not trust Lucas and that he needs to earn this, respectively, from him. Lucas does seem to flub the mission, but his determination does seem to stir something within Tohma to allow him to rectify his mistakes. I think saying that Tohma finds Lucas to be earnest in his interactions would not be too far of a stretch to believe. He also is thankful that Lucas was able to also get Jin out of his room and active, once more. Something that he had been trying to do for some time.

Alan Mido

Another complex relationship with even less information than the relationship Tohma has with Jin. We know these two have worked together in the past and are collaborating to look for a ‘spy’. They both share the sentiment that their new housemates are a bit unruly and need to be taught valuable lessons. But, for the most part, there does not seem to be any hostility between Tohma and Alan. In fact, they seem to have a deep mutual understanding of one another. Though, Tohma does appear to be mildly frustrated at Alan’s lack of security when it comes to his phone and technology.

Leo Kurosagi

While their only interaction was rather terse, Leo and Tohma seemed to not like one another. Or rather, Leo greatly dislikes Tohma. He seems to wildly distrust him and urges for Alan to distrust him, as well. Meanwhile, Tohma likely finds Leo as an irritant due to him snooping in on their meetings. Ready to even attack him, at first, when Leo first tricks Alan and Tohma to a meeting in the car. Eventually leading to the car being anomalously soundproofed and even their meetings taking place in a ‘gross’ forest (presumed to be the forest by Obscuary). I fully expect there to be more tension in this front.

Ritsu Shinjo

Another person who has snooped in on Tohma. Though, only in the images of a warding card. Still, we have seen a campus hangout where Ritsu crosses paths with Jin and attempts to get information from him, as well. So it seems Ritsu is, at the very least, hinted at trying to get information about Frostheim. Other than that, we can’t speculate on what their relationship is.

Haku Kusanagi

This is another tense interaction that Tohma had. In Episode 7 Chapter 19 and Episode 7 Chapter 20, we see Haku and Tohma exchange a brief but rather uncomfortable conversation. Tohma even going as far as to tell Haku to not ‘act dumb’ when questioned about why Mortkranken refused to do an autopsy. Tohma seemingly even been the aggressor in starting the conversation this go around. There’s also been hinted notes that Haku also switched houses (speculative on either Frostheim or Clementia) and is viewed as a traitor, of sorts, because of this. And also speculative that Haku has a tense relationship with Jin, as well. So- this dynamic is certainly one worth keeping an eye on.

Rui Mizuki

Yet another relationship that comes across as almost sour. Between Episodes 7 Chapter 20 and the campus hangout these two have, I think it’s quite clear that there is a level of dislike between the both of them. All while keeping a friendly air about it. They both present smiles to one another but their words come across as almost sharp and critical of one another. With Rui commenting on how it’s odd to see Tohma out and about and having conversations with others and then Tohma quipping back that it’s more surprising on Rui’s front due to his ‘limited movement’- implying that he doesn’t go out much likely due to his curse. Additionally, Rui seemed to comment about how Darkwick General knows nothing about curses, Haku responding with ‘Yikes’ and then Tohma remaining silent before excusing himself. I would venture to say that they do not get along at all.

Yuri Isami

Again, we have yet another tense relationship. Though, this one seems more on account of Yuri’s extreme dislike for Frostheim. Still, Tohma seems to go out of his way to try and strong arm Yuri into either doing an autopsy and releasing the information to Frostheim by threatening to cut funding (and then doing just that when Yuri does not comply).

Jiro Kirisaki

They have not interacted but it’s important to note that he suspected Jiro of being on Frostheim grounds and was not entirely happy about this. It could be due to the tense relationship that Frostheim and Mortkranken have with one another, though.

Overall, Tohma has many relationships either shrouded in mystery or volatile to a degree. It’s quite clear that he does not easily get along with others and seems to keep himself at a distance with them. The only two majorly positive relationships we see with Tohma are with Alan- whom he meets in secret with and with Jin, and even that one has its own tense portions.

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Cards & Cosmic Bonds

Tohma does not have many cards, currently. At least, when compared to someone like Jin. Even so, the cards he does have seem to be quite telling for how Tohma acts and presents himself to others. Each card becoming another puzzle to create the full picture of the Frostheim Vice-Captain. So let’s take a deeper look at his cards and cosmic bonds.

Contrived Smile

The standard SSR character card we have of Tohma Ishibashi is already interesting when you simply break down the title; Contrived Smile. It speaks volumes, in of itself.

Contrived: having an unnatural or false appearance or quality. - Artificial, Labored. ¹⁴

But what does this mean for Tohma? Contrived smile seems to, at least, imply that the smile he is wearing was forced. An act that he put on that seems unfitting for his true nature. The smile that he’s wearing is artificial or unnatural.

Additionally, when you look at the card, itself, the body language Tohma has also seems to amplify his fake demeanor that he holds. Body language can be something more difficult to decipher since different backgrounds can lead to different mannerisms and there’s no one size fits all solution for determining them. But, for now, let’s look at this through the lens of a character being crafted for the sake of consumption.

The image above shows Tohma touching his face/chin. This can typically be a symbol of lying. But here are a few options for what this body language can be implying; ¹⁵

1) He may be nervous and touching his face to control his emotions. ¹⁵

When you lie, it’s pretty common to feel nervous that you may get caught within the lie. After all, lying does often come with consequences. So it would be no surprise if Tohma was, internally, a little nervous to be caught within a lie. Granted, he always manages to keep a cool and level head even when he’s having ash trays thrown at him. So being nervous does not seem to be the case for Tohma.

2) Tohma may be trying to recall or remember the details of the lie he is crafting. ¹⁵

Lying usually means having to recall details that you have crafted. This would require a bit more thinking than when recalling naturally occurring memories. It would make sense that Tohma would be recalling information that he’s crafted often enough.

3) The gesture, itself, can make Tohma seem more trusting and credible. ¹⁵

One thing that keeps repeating for Tohma is the reoccurring theme of wanting to appear as trusting. Between wearing beige, telling Jin to trust him, and overall the way he carries himself, Tohma is clearly trying to put on an air that he’s reliable and can be trusted. That he’s credible and won’t take advantage of you. Even when everyone says that he’s a side-swapping traitor, Tohma still carefully crafts himself as someone you can depend upon.

Having your hand on your face could be a way of hiding something from others or having a secret because you’re hiding your emotions. It could also be a way to cover up something you don’t want others to see. Such as if you’re sad or angry. It could also be because you’re feeling uncomfortable or defensive or even self-conscious. Truth is, there are many reasons why someone may be touching their face. You could have something that you’re wanting to say but you’re unsure on how to broach the topic- wanting to be careful with your word choice. Or you could be considering your options of an idea that has been presented to you. ¹⁵

Again, there are many reasons for someone to touch their face. The important thing to note is that when combined with the title; Contrived Smile, and the smirk that Tohma is wearing, it starts to paint a picture of someone who is deceptive while trying to appear as friendly and trustworthy.

Watchful Shadow

I won’t get too in depth with the standard SSR Warding card here, but it adds onto Tohma’s characteristics. Watchful implying that he keeps his eyes on others and shadow stating that he remains hidden while he does so. In the warding card image, you even see Tohma hiding within a building- obscured by a curtain in a window- as he’s watching Kaito and Lucas interacting with one another.

Keeping a close eye on the two other ghouls is something that Tohma also does within the story of Tokyo Debunker. Keeping his eyes on how they are handling a mission. While this isn’t necessarily a terrible thing, it does show that Tohma has tabs on those within his house. He could be keeping an eye on them to make sure that they’re safe. Or it could be for gathering information. It could be a combination of both, which would not surprise me in the slightest.

We also know that Tohma is looking for a ‘spy’. And that he is closing in on them. While we don’t know who this ‘spy’ is, or what Tohma even considers a spy, we do know that this heavily implies that he’s keeping his eyes on others, as well. Being a Watchful Shadow is not off the table for Tohma and this card definitely makes it clear that he’s silently keeping tabs on everyone.

Zipper Croc

We see the zipper croc within the world of Tokyo Debunker when MC is informed that they tend to eat litter and ‘swim’ in the concrete/pavement of the roads. Poking their heads up through seemingly zipper portals. Zipper crocs are also featured on the Campus Hangout area as well as being Tohma’s SR Warding Card representation.

While zipper crocs do not hold actual lore behind them, I took the time to depict different meanings behind both zippers and crocodiles. As well as give my own thoughts on what it could mean without any research to back it up fully.

When you look at the card image above, you can see where the anomalous animal gets its name from. It’s quite literally just a crocodile coming out of a zipper. It seems to have a rather friendly looking face, hardly malicious despite being based off of a predator animal. So breaking down different meanings of both zippers and crocodiles is an important aspect of understanding why this creature was Tohma’s SR card.

Starting with zippers, we can see a repeat in some of the themes within Tohma’s character; transition and change, revealing hidden truths, and protection or concealment. Zippers can also represent emotional closure as well as a sense of control. ¹⁶

Just as bridges, we see that transitions and change pop up once again. Zippers showcasing the various transitions and changes one can face in their life. Bridges also had offered the same, mentioning changes and transitions you take and crossing over to a ‘new life’. We already know Tohma had experienced one transition; from one house to another. Going from Vagastrom to Frostheim. This was already quite a transition in his life and something we may expect to see later on is another transition or change in his character.

There could be an indication for a need for change or transition. Moving on from a situation or a phase. A desire to control your emotions or circumstances and a need for protection against exposure. ¹⁶

Whether we see actual change in Tohma is yet to truly be revealed. But we do see him protecting others. He does so when carrying the child in the Frostheim chapter. Even going as far as to tell the kid to not apologize because he couldn’t walk and was a ‘burden’ to Tohma for him having to carry him while fighting. We also see him protecting Jin from critical backlash from his own brutish behavior by stating that Jin was merely putting on a show for the audience in the ballroom. Tohma taking on the form of a protector, of sorts, is something that we see him do despite his deceptive nature.

Zippers can symbolize a revealing or concealing aspect of ourselves. They can, from a psychological standpoint, represent boundaries we set for ourselves. Whether it be us hiding behind a facade or hiding our true selves from others or even ourselves. Only ‘unzipping’ when ready to reveal ourselves to others. ¹⁶

Hiding one’s intentions is another repeating theme we see within Tohma’s character. His card ‘Contrived Smile’ hinting at his forced appearance and how he keeps his own interests stated as unavailable. We don’t know much about Tohma or what makes him tick. But what we do know is that he’s hiding much under the guise of being a reliable helping hand. It would not be a surprise if we later see Tohma ‘unzip’ and reveal the true self he’s hiding from us all.

There’s also the same repetition of faking when you look at crocodiles and the sayings we have associated with them.

One of the first things that comes to mind, when thinking of crocodiles, is the term ‘crocodile tears’. The term simply meaning when someone pretends to cry to garner sympathy or lure others in close to you. The saying originating from how crocodiles, as animals, function. Crocodiles do cry, after all. When they spend long periods of time out of the water, their eyes begin to dry up and, so in turn, they cry to help lubricate their eyes. The saying cropped up due to the fact that many believed that crocodiles only shed their tears when attacking and consuming their prey. And it was thought they did this as either a way to lure their victims closer or due to the grief of their actions. ¹⁷

While we don’t see Tohma display feigned emotions of distress or anguish, we do know him to be deceptive by nature. That he’s willing to use any tactic in order to get what he wants from a situation. Seeing him act in such a way is very reminiscent of crocodile tears. Would this be a tactic that Tohma may consider using in the future? Perhaps if it were to benefit him in the long run, he may consider it. Though, he keeps many of his emotions to his chest. Still, we can’t truly say that we can trust Tohma’s intentions or tank feelings he may display in the future and it’s worth noting.

In Ancient Egyptian culture, crocodiles were held in regards of being strong and powerful. This was due to their god Sobek and Ammit. Both having the head of a crocodile. Sobek was associated with the Nile and considered the lifeblood of Egypt and Ammit was known as the devourer of the dead, consuming those that were deemed too sinful or unworthy to enter the afterlife. Some African cultures also hold crocodiles in high regard, believing crocodiles to be fierce and often using them as symbols for their chiefs. This was due to their fast and precise strikes to their prey, making them formidable foes. Crocodiles are also well regarded in many other cultures for various reasons- but all are deemed positive and symbols of strength and impossible feats. ¹⁸

Crocodiles are quite fierce, known for their powerful bites and swift movements. It is no surprise that Tohma would be likened to a crocodile due to his natural brute force and how quick he seems to be able to enact his strength while having limitations. Tohma also is within a higher position, being entrusted by Darkwick to have access to rarer artifacts and keeping hold of them within the Vault, in Frostheim. He, too, is held in a high regard. Albeit, not in a god-like status. But enough so that Jin seems to trust him as well as Darkwick, themselves. His influence just as strong as his powerful blows.

Jour Nekomata

Tohma’s R warding card is what appears to be a cat with two tails. Or rather, a Nekomata. Paired with the word Jour. Here, we’ll analyze the warding card and how it could pertain to Tohma, as a character.

We’ll start with breaking down the aspect of the Nekomata, first.

Nekomata, in Japanese, have a few different spellings. Each have their own connection to what Nekomata are, in relations to the cat yōkai. Starting with 猫また. 猫 - Neko, which simply means cat. また Mata Wa, which means “multiple”, “repeat”, and “either or”. ¹⁹

In instance of the Nekomata, multiple would likely be referring to their tails, of which they have two. But in the world of Tokyo Debunker, repetition is something that is a key story point. Multiple, building off of that, could be in reference to the multiple options laid before Tohma and the multiple options laid before him or the multiple faces he may wear around others. And Either Or being the selection of a situation laid before where he’ll have to select either one option or another.

猫股, again the 猫 for Neko and 股 for forked or bifurcated. This is due to the ‘split’ in the tail of the cat. ¹⁹

This spelling simply refers to the cat’s split tail and how it appears forked. Nekomata have two tails, of which we will explore the meaning on shortly.

Finally, we have 猫又. 猫 for Neko, or cat, as we established in the other two spellings. 又 for ‘again’. Nekomata sometimes known as ‘again’ cats. This is due to cats believing to have multiple lives. Typical from the saying of cats having 9 lives. ¹⁹

There could be a few ways to truly view what this means from a character aspect. Again could have multiple meanings. One such meaning could be the implication of a character repeating something ‘again’. This makes sense in the themes that Tokyo Debunker has built up. Repetition making itself known. It could also imply that Tohma will experience something ‘again’. Perhaps whatever he faced in his previous house will repeat in Frostheim. Then, there could also be themes for the ‘multiple lives’ portion. Tohma leading multiple lives and wearing different faces.

Furthermore, Nekomata have been known to be malicious. Especially when compared to the Bakeneko, which it is often mistaken for. ²⁰

Two types of Nekomata have appeared throughout literature and telling of the cat yōkai; the mountain dwelling Nekomata and the domestic Nekomata. The mountain dwelling Nekomata best known for their ability to shapeshift into humans to deceive them and then to consume them. ²⁰

Then there are the domestic dwelling Nekomata, which are pet cats that grow old and lived tragic lives. Often experiencing hardships via humans and, in turn, causing them to become Nekomata that transform and eat humans. ²⁰

Nekomata, in turn, have often been compared to cat-like vampires, since they often have been noted to drink the blood of their owners. Likely out of an act of vengeance for their mistreatment. They also have the ability to bewitch non-magical house cats, as well. ¹⁹

With all of this in mind, I personally think it starts to showcase possibilities of Tohma’s goals as well as who he is, as a person. I’ll elaborate further on this in the What May Come to Pass section. But, for now, I want to really emphasize the parts that really stick out here; Nekomata can disguise themselves as humans and then consume them, house cats can become Nekomata after reaching an older age and often come from toxic situations, and they can bewitch non-magical house cats.

A central theme in Nekomata seems to be their ability to deceive in order to cause harm or get some sort of vengeance and simply survive. So I find it curious that Tohma has this as his R warding card.

The Other SSR Cards

Perfect Mirror, a character card for Tohma, seems to indicate (in the title) another theme of copying or, at the very least, repeating what others are doing in order to mask and fit in.

Spotted is a warding card featuring Tohma drinking tea while both Kaito and Lucas are in the background, looking in on Tohma. They are separated by a glass barrier, indicating that the Frostheim Vice-Captain is out in a cafe, of sorts. Possibly meeting with someone. Both Lucas and Kaito seem surprised by this. It could be assumed that Tohma is meeting with MC, as that would be my likely guess for a game focused on having MC be the central focus for the ghouls. Or rather, she should be. But, ultimately, we’ll never know who he was meeting with.

Knights Day Off is another warding card that features Tohma. He can be seen walking with the other ghouls in Frostheim, adjusting his monocle and peering over at Jin. Hes only slightly behind Jin and, behind him are Lucas and Kaito. It seems like a casual putting between house-ghouls and nothing is quite out of the ordinary here. But, it’s still important to bring up that he definitely has his focus on Jin.

Audacious Sleuth is another warding card primarily focused on Ritsu, who seems to be listening and recording a phone call of a man with their back turned to him. The man in question is likely to be Tohma, due to the similar hairstyle and coloring of hair. But it could be someone else. Either way, if it is Tohma, it’s interesting to see that he has Ritsu spying on him to collect information. Which seems to, at least, imply that he has some sort of valuable information. Or at least, valuable to Ritsu.

While all of these cards don’t hold any major significance to them and all only give speculations, I think a lot of them really paint Tohma as someone who has connections and is secretive about them. He seems to be masking himself to fit into a world he doesn’t quite belong in. And, overall, he does seem to have some sort of deeper connection with Jin. Though, we’ve been shown that their relationship is quite complex.

Cosmic Bonds

Unlike other characters, Tohma currently (as I’m writing this), is not featured in many cosmic bonds. I did only focus on the ones his SSR Character cards are put in, so please keep this in mind.

The Order of Frostheim is a bond with Jin, Kaito, and Lucas. I think the name is pretty simple in its meaning. It’s a bond between all the ghouls in the Frostheim house. It focuses solely on the order established in their power/rankings. This is a heavy theme throughout Frostheim, after all. Between the references of chess pieces, social structures, and royalty, Frostheim very much presents itself as an ‘orderly’ house. Though, what I find interesting is that despite showing itself to outwardly be a house that follows sort of a chain of command, Tohma is the one who is currently running the forefront of the house, as depicted on his character sheet. He’s doing so while in ‘Jin’s absence’ and presumably has been for quite some time. So- what really is the Order of Frostheim?

Gentlemen with Purpose is a bond with Lucas and Ritsu. This one, I think, is also relatively clear. Tohma, Ritsu, and Lucas are all considered to be ‘proper’. They’re polite and follow social etiquette. Additionally, they all have some sort of larger purpose or goal at hand. Lucas wants to subjugate a demon to find his twin brother. Ritsu wants to win the Laurel Crown and also help his father restore his reputation to some degree. Tohma- well… he has a goal. Whatever it is being unknown to us at the time. But- he has a purpose and he’s clearly putting in the work to reach whatever his goal may be.

Faces in the Crowd is a bond with Leo and Towa. This card, I would say, is where we have to take a bit of a deeper look. Namely because we don’t know much about Tohma or Towa. Whole assumptions would have to be made, here. But I think it simply implies that these three are all people who come across as unsuspecting to others. They’re just faces in a crowd. Someone that others think nothing of. Leo, while us the readers are aware, is two-faced. He’s cruel and has the tendency to use others. But his fan base on TikTok are none the wiser. He’s seen as lovable to them despite thinking his own fans are basic. Towa comes across as harmless and generally pretty friendly. Especially towards people like Haru or MC. However, we’ve seen Towa to be quite powerful and even have malicious and cruel intentions towards others. Namely Ren and Ed. He’s even electrocuted animals. Tohma has himself appear as a gentleman and friendly but, in his very nature, he will do whatever it takes to reach his goals. Presumably even if it is cruel to others.

Shadowed Smiles is a bond with Lucas and Subaru. And this one was the hardest for me to really depict a bond between them. But I would say that this bond actually focuses on the hardships these characters have endured and the smiles they wear being a shadow of their true feelings. Likely feelings of despair and hurt. It may be a bit of a reach here. But I would take a guess that perhaps each have had some cruelties happen in front of them and, now, they offer these friendly seeming smiles in place of what’s truly haunting them. Subaru is known for being a former actor, having done so throughout his childhood. It wouldn’t be a surprise if it came to light that he had some horrible experiences due to this. Lucas, as we do know, had a twin brother. One that he’s desperately trying to get back. It also would not be much of a stretch for me to believe that he may have felt pitted against his brother. Tohma…? Who’s to truly say. But I think time will tell.

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The Story So Far

Thus far, Tohma has only appeared in a few chapters and from what we’ve seen of him, he has not revealed much about himself. The following is what we have seen in the story, not campus hangouts, and the central themes that continue to pop up with his character.

The first time we actually see Tohma is in the Prologue Chapter 30. There’s a brief glimpse of a few of the ghouls who attended the assembly of new ghouls, transfers, and the introduction of MC and the role she will be playing here. When showing the characters, we see Tohma sitting with a smile and touching his chin. He seems rather interested in the information being presented and also appears confident, though we can also see there’s someone sitting beside him off camera and Haru, who is relaxed a few seats behind.

Were shown a small handful of the ghouls who attended this assembly, though not all of them attended. For Frostheim, Tohma and Kaito both attended. Though, Tohma was already seated by the time MC arrived with Kaito and Lucas. He seemed quite amused and interested in being there. Which makes sense for his character, as he seems to like to be in the know. An assembly where they’re assigning new ghouls to houses would be one that Tohma would be interested in attending.

The next time we see Tohma is when MC meets him in Episode 1 Chapter 9. MC being sent to work with Frostheim as she approaches Jin’s room. Peering in, she sees that Tohma is speaking to Jin, appearing rather annoyed that Jin seems to be ignoring him. He continues with his explanation of a corpse walking around and Jin continues to show disinterest in the topic at hand. This is when Tohma asks if he’s still feeling unwell and if he should call Mortkranken, which earns a disgruntled look from Jin. Then, he asks if he should contact his father, instead. Causing Jin to lash out and throw an ashtray in his general direction. Tohma seems rather unphased by this reaction and is about to continue on before MC is spotted.

The first time that MC meets Tohma, we are directly greeted with the fact that he’s having some sort of meeting with Jin. At the time, what the meeting is about is unknown to us. Though, later it’s revealed that it’s connected to the mission that will be taking place this episode. Sprinkled throughout.

We’re also first introduced to the fact that Tohma seems to purposely try to frustrated Jin by poking at some of his sore spots; Mortkranken and his father. Seemingly both things that Jin has rather tense relationships with. And the reactions he gets don’t earn a reaction from Tohma, either.

Jin is the first to spot MC and Tohma is quick to tell MC that she’s brazen for being a peeping tom. Jin then tells Tohma to use a match on her, to which he seems quick to comply with, walking over before recognizing who she is- as he had attended the assembly. He informs Jin that the matches will not work on MC due to her curse. Amused by this to some degree.

Once Tohma confronts MC, he’s quick to call her a brazen peeping tom- which, while true from his perspective, certainly was quipped. He also was ready and willing to use the mesmer matches on MC, only stopping when he realized that they would not work on her due to the information he gained at the assembly. His amusement likely stemming from the fact that Jin cannot hide the interaction from MC, at this point. And also likely a mild and secret frustration on his part, since he is also unable to hide the interaction, either. It seems that he’ll be forced to have to work with MC to some degree.

Episode 1 Chapter 11, we learn from Kaito that Tohma is the one MC should go to for things. He states, “The Vice-Captain’s been pretty much running the show lately.”

Aside from Tohma’s character sheet on the main website saying that he’s running things in Jin’s absence, it’s here that the MC learns that the Vice-Captain is the one to go to for anything. And it’s one of the first instances where we see that everyone defaults to Tohma for things, in the Frostheim house. He is, as it has been clearly stated, running the show. And we (and MC) have now seen that Jin keeps himself secluded in his room without wanting to see anyone in there.

Now that MC learns to go to Tohma, she asks Kaito where he can be found. Episode 1 Chapter 12, Kaito informs MC that Tohma can be found in a vault in the Frostheim dormitory, doing paperwork. They set out to go to the vault, with Lucas, and step inside, noting that it’s quite cold and that it’s unlikely that Tohma actually would spend all his time here. Shortly after, the trio see a student by the name of Yumiko running and shouting for someone to help her.

Tohma spends a good chunk of his time, allegedly, within Frostheim’s chilly vaults doing paperwork. Diligent despite the cold temperatures. But what’s truly interesting is, here, this is the first time we see the name Yumiko pop up. And notably, she is running in fear from some anomalous chess pieces. Running from a place where Tohma regularly spends his time.

Episode 1 Chapter 13 kicks off with some action, the anomalous chess pieces that had been chasing Yumiko now focused on MC, Kaito, and Lucas. Lucas preparing to fight the anomalies off before Tohma appears and, in a commanding tone, states “That’s enough.” The chess pieces no longer continue their approach on the trio and Tohma then asks what they’re doing there. They let him know they’re there to give him some paperwork and then MC lets Tohma know there was someone yelling for help earlier. Tohma responds with, “What person?” and the subject is dropped almost immediately, Tohma taking the papers MC came to bring him.

An example of Tohma’s control starts here. He questions why the trio are there- not appreciating the fact that they intruded within his space without permission or warning. It’s clear he keeps the vault secured and an uncomfortable place for others to linger in for long. Almost secluded, in a sense. And when questioned about the person yelling for help, Tohma asks “what person” as if he doesn’t know what the group are referring to. This is doubtful, to me. Someone as calculated as Tohma was very aware of someone being in the vault. And he quickly deflects this topic, accepting the paperwork that MC brought.

Lucas introduces himself shortly after, asking if he could be put on the mission presented on the paper MC just handed over. Tohma is quick to decline this, stating that he does not trust Lucas, as of yet, and that he would only get in his way. Lucas insist he can handle himself and swiftly, Tohma informs that he has not earned his approval. Ever insistent, Lucas tells Tohma to test him, prompting Tohma to say that Lucas has, at least, proven himself stubborn. He offers for Lucas to take up a low ranking mission of his choice and to complete it without incident. If he does so, he’ll consider him for future missions and Lucas agrees. The trio then go to look over the missions provided to make their selection.

This is the first real interaction we see with Tohma and Lucas. Lucas insisting to be given a chance to prove himself and Tohma allowing him the chance while also making it very clear that he does not think much of him, currently. He is willing to let Lucas go on a lower ranking mission and is clear with not wanting to send someone he doesn’t know well to a high ranking and dangerous mission. Assessing others and determining their skill sets and what they can realistically accomplish, Tohma shows his more analytical side here. Risks minimized are his priority of the reward is minimal. It makes sense as to why he is the one spearheading things while Jin remains hidden away.

It doesn’t take long for Lucas and the others to select a mission in Episode 1 Chapter 14. They take the papers to Tohma and have him sign the documents off. Tohma then states that MC must also go along on the mission, as it is her job to do so. Then Tohma asks for a moment of MC’s time, dismissing Lucas and Kaito.

Once again, Tohma seems to ensure that MC goes along on a lower ranking mission to qualify for the task put upon her; go on a mission with Frostheim. With it being a low ranking mission, he can ensure that it won’t be terribly dangerous for MC to embark on.

Episode 1 Chapter 15, Tohma has MC take a seat on one of the chairs, letting her know it’s more comfortable than it looks. He makes her Darjeeling tea, mentioning that it’s Jin’s favorite and how he will be unable to serve it to him for some time and may have to dispose of it. Continuing on, Tohma states that Jin is still furious over MC’s intrusion and, by default, Tohma is still not allowed back into his room.

Tension grows here when Tohma calls out MC for disrupting his conversation with Jin and upsetting him. Making a more clever approach with the topic by starting with offering MC some tea. Then calmly stating that the tea he offered is Jin’s favorite. Pivoting after to then use this as an opportunity to remind MC that she messed up and he is dealing with consequences because of it. Starting by dropping her guard and then going in to leave a scathing comment.

Here, MC has the option to respond three different ways and receives three different answers from Tohma.

1) MC responds with, “I’m sorry…” to which Tohma responds, “If you’ll be coming in and out of Frostheim, you’ll need to learn some manners.”

An apology doesn’t seem to cut it with Tohma, but he’s a little less harsh on his delivery. Essentially stating that some manners will need to be considered when coming into a house primarily built up of the social elites.

2) MC responds with, “I was there for a reason…” and Tohma responds, “You think this is the appropriate moment for excuses? It seems you need an education in etiquette.”

If you have MC state there was a reason to be there, Tohma seems to cut in a little deeper. He doesn’t value what he deems as an excuse. Education and etiquette are something needed when in Frostheim, again, in the upper echelons of society residing in this house. He’s clear to remind MC that she’ll need this in order to really get anywhere within this house.

3) MC responds with, “It’s not just my fault…” and Tohma responds, “I see. So you were peeping.”

Interestingly, if MC states it’s not just her fault- which to me feels more of an excuse than the other two- Tohma doesn’t remind her of manners or etiquette or education. Instead, he just confirms that MC was peeping. This is odd, in my opinion. If you have MC apologize or try to explain her reason, Tohma chides her. But if she attempts to deflect blame, Tohma simply remarks that she was doing as he suspected. Either way, all three options have Tohma slightly displeased and makes him come across as if he simply knows better than MC.

Regardless of what MC says, he states he’ll let it slide for now and asks MC if she plays chess. He explains the chess pieces from earlier are anomalous and that they utilize them in Frostheim, stating they grow in size and attack if they sense malicious intentions from an intruder. He tells MC to not worry, as they won’t attack, unless she has malicious intentions.

The chess pieces then hop onto the board while shrinking down, Tohma instructing MC to go first. “The player who makes the first move has an advantage.”

Chess is considered to be extremely strategic, Tohma offering for MC to go first and allowing her to ‘have an advantage’ is, still on his part, a strategic move. He knows that he has more experience playing chess so, even if MC has an advantage, it doesn’t matter. Tohma knows he will prevail.

Tohma begins to teach MC how to play chess, mirroring her moves with his own pieces. He watches MC ‘his eyes devoid of warmth’. The game then states that it seems as if he’s staring directly into MC’s thoughts and that he doesn’t remove his gaze.

Calculating as ever, Tohma begins to mirror MC’s movements. Mirroring is something that has been mentioned before in one of his character cards; Perfect Mirror. This is a theme that crops up for Tohma often- being one to mimic those around him in order to fit in or seem less intimidating. Despite his attempt at mirroring MC, it’s noted that he isn’t as friendly as he’s letting on. Eyes devoid of warmth suggesting that he is more cold and calculating than originally let on. Seeing into her thoughts- likely enhanced by the fact that he’s mimicking the moves that MC selects.

Still guiding MC on how to play chess, Tohma reaches over and grabs MC, activating his stigma. His movements quick and catching her off guard. Pointing to the board and stating, “check”.

MC would state, “It was as though his voice was inside my head, reverberating down my back, my legs, and right down to my toes. Every hair on my body stood on end. He continued holding my hand and my gaze, a satisfied smile on his lips.”

In this segment, we see that Tohma had activated his stigma and, in true Tohma fashion, tells MC ‘check’ to indicate that he won their chess game. Though, we later find out this message was also meant for someone else.

Episode 1 Chapter 16, Kaito and Lucas are waiting outside of the vault for MC and Tohma to finish their conversation. Lucas questions an anxious Kaito when he seems to be weary of Tohma and, Kaito soon confirms that he is, in fact weary. His response, being, “Are you being serious? He’s shady as fuck!! I mean who wears a monocle in this day and age, huh?!” Kaito then barges into the room and shouts when he sees that MC and Tohma are holding hands. Tohma comments that Kaito needs to learn proper etiquette for his sudden intrusion. And then the chess pieces grow in size and head towards Kaito in a defensive manner, to which Tohma states, “Interesting…”

Learning that Kaito, who is in his second year now, states that Tohma is shady. That him wearing a monocle is odd. Off putting, even. It would not be a stretch to assume that others feel similarly to Kaito about Tohma. Especially considering that he switched from one house to now be the Vice-Captain of Frostheim. Having someone from the outside ascend the rankings so quickly and also take charge in Jin’s absence would certainly lead to many others feeling prickly and untrusting.

Next, Kaito barges into the room and the chess pieces jump up to defend. This is noted as being interesting to Tohma. He also tells Kaito that he needs to learn etiquette. Again, Tohma remarking on others learning manners.

With the conversation between MC and Tohma concluding, he lets MC know she can leave but that she should take her job as the inspector seriously. Cleaning up as nothing happened, Tohma tells MC to address him by his name rather than Vice-Captain. He explains that there are other Vice-Captains and that it would get confusing. He then explains he has an urgent matter to attend to and that he’ll be taking his leave. Tohma departs and the chess pieces follow him.

Knowing that MC must take her duties seriously, Tohma reminds her of this and then departs with the chess pieces. In this instance, we saw Tohma use another for his benefit- as the following scene will elaborate, and then quickly depart to follow up on the other person he had sent the message to.

In Episode 1 Chapter 17, Tohma makes way to Jin’s room. He has a conversation with Jin as the following;

Tohma: “You have my sincere gratitude for allowing me the privilege of entering your chambers.”

Jin: “…You can take your “check” and shove it up your ass.”

Tohma: “You heard my voice, then?”

Jin: “Shameless, aren’t you? How did you bypass the soundproofing?”

Tohma notes that MC has the capabilities of bolstering their stigma use and Jin comments that Tohma “used that girl.” Tohma says yes, and that he was simply testing the claims the chancellor made and that it does seem to be true of her enhancing ability. Tohma then goes on to tell Jin that maybe he could- before being cut off.

Here, we learn that Tohma had used MC to both confirm her ability worked and to send a message to Jin. Not just a message of ‘check’ but, with the thematics of chess and Jin being the ‘king’, Tohma put himself in opposition to Jin, the ‘king’ and had landed a check on him. Not only by bypassing his soundproofing but by proving that he could find ways around his attempts of solitude. This was a power move on Tohma’s part, not only by intimidating MC and confirming how her ability to bolster stigmas worked but also by breaking through the anomalous soundproofing and let Jin know that he can and will find ways around it to get what he wants from him.

Shortly after this exchange, Jin tells Tohma to put on Johann Strauss and Tohma seems a bit confused, stating, “Johann who? Which one is that?” Jin is annoyed by this response from Tohma, asking how he could call himself Vice-Captain. Tohma quips back coolly that he at least performs his duties unlike Jin. Then Jin tells Tohma to leave his room.

A couple things to note in this scene;

1) Tohma did not know who Johann Strauss was.

And

2) It is not beneath him to make jabs at Jin and his inaction.

These are important because they showcase how Tohma can, at times, let his mask slip. He was not aware of who Johann Strauss was and this disgruntled Jin, likely because if Tohma is the Vice-Captain of Frostheim, he should know information pertaining to more ‘refined’ music, as it were. Because Tohma did not know this, it shows that he was not born into a higher class society and could not fit the part as such in a natural manner. Additionally, because Jin was frustrated by his lack of knowledge, he made a remark towards him- to which Tohma responded back harshly. Likely because Tohma has worked hard to perfect his current mask and, therefore, is frustrated that Jin would question his ability to be the Vice-Captain over something as trivial as music.

Tohma does not leave the room and says he still has more to say. Explaining that there were new developments in the case he was investigating. He informs Jin that the child in the video recording was already dead prior to the recording found and that the kid was yet to be identified. Jin comments that the kid is an orphan. Tohma replies with, “So you did read what I sent you.”

Tohma then states he will survey the area, suggesting that Jin join him as well. Jin declines and Tohma remarks, “I can rest easy knowing you’ll be safely tucked up in your room behaving yourself.” Jin calls out his snark which prompts Tohma to respond with, “You won’t be able to hide this indefinitely.” Jin asks if he’ll betray him next. Tohma does not respond immediately but then says, “You still can’t use it, can you? Understood. Please get some rest. But all you are doing is delaying the inevitable.” Jin likens himself to a tasty mouse with hungry snakes all around. When Tohma does not respond, he tells him to fuck off and leave, to which Tohma complies and exits.

Relaying the information over, Tohma does seem grateful that Jin had been reading the information he sent to him. However, things take a bit of a sour turn in their conversation when Tohma reminds Jin of his inability to use his stigma. It seems that Tohma is trying to get Jin to come out and show his face despite his lack of stigma usage. But this does not work and Tohma does not respond to this, only leaving when Jin tells him to do as such.

When we come around to Episode 1 Chapter 29, we find that Tohma is observing the trio on their investigation, but he’s not interacting with them. It does appear that he had been fighting off some anomalies, as there is one cut in half behind him. Shortly after, we see Tohma taking some pills and mentions that “this is getting exhausting.”

Tohma, ever observant, has been watching the trio as they continue their investigation, clearly working in the background of it all. We do learn later that his own mission overlapped into the trio’s mission. But what’s more interesting here is the fact that Tohma is taking pills. And seemingly after having gone into combat.

We do not know what these pills are for but there are a few possibilities I think it could be. I will discuss this in the What May Come to Pass section later on.

Episode 1 Chapter 30, Tohma returns to Frostheim just in time to hear some personal information being leaked through the Masterpiece News. Tohma seems annoyed by this, stating, “Honestly… I haven’t been back five minutes. No one has any intentions of allowing me a moments respite.”

The biggest takeaway here is that Tohma had recently returned from outside of Darkwick. For him to return back to a mess on his hands. Rumors being spread of Jin.

Episode 1 Chapter 31, Tohma walks in on Kaito and Lucas bickering over the mission and teases them by asking if they’re playing hooky. Lucas is quick to state that they had failed the mission, the group failing to capture the anomaly and it escaping as a result. Tohma asks what class the anomaly was, to which Lucas replies it was likely a Class B anomaly. Tohma explains he will check the site to ensure it’s safe for the time being and for the group to return to their rooms. Lucas then asks if he can have a chance to fix his mistakes. Tohma agrees to this, stating he will handle the paperwork and for the group to return in the morning.

It seems that Tohma is willing to give Lucas a chance to rectify his mistake. With the anomaly being revealed to be a Class B- much higher than what he anticipated it to be- and how Lucas and the others had handled things thus far, it seems he’s willing to let him proceed himself further. Testing to see how Lucas is capable. And likely also testing the MC on her own capabilities.

Episode 1 Chapter 32, we’re greeted with some Frostheim students gossiping about Jin. Tohma is attempting to call someone but is unable to get ahold of them. He exclaims that she must have taken him for a fool. Then, Jin barges out with his sword drawn, swinging it and braking a vase in the process. He tells Tohma to come out and asks if he’s the one to have leaked the information to the Masterpiece News. Tohma is quick to suggest that it may have been ‘the dear friend who left his side’. Then reminds Jin that he will always remain by his side.

Here, we can see some complexities within Jin and Tohma’s relationship. It’s clear that Jin suspects Tohma of leaking private and personal information but when Tohma states that it likely was his ‘dear friend’ who betrayed him before and it wouldn’t be unreasonable to think he would betray him again. He urges Jin to remember that he is an ally and not his enemy. An attempt to keep Jin in line and to quit with his brash actions and accusations. Level headed, as always. And quick to turn anything to his advantage if he can.

When the confrontation ends, Tohma remarks that Jin’s swordsmanship was a show for the students and thanks their guests for their applause before leaving with Jin. They go to his room, Jin dragging him presumably by his tie. Jin is quick to ask Tohma what he’s doing but Tohma deflects by saying he should be asking that, instead. And asks Jin to let go of his tie. Tohma reminds Jin that he (Jin) is seeking revenge for his mother and that he won’t allow Jin to forget the promise he made to Tohma.

This is where it seems that there’s a mutual benefit of their alliance. They both seem to be working together on some goal. What that goal is remains unknown but it’s clear that Jin is seeking revenge for his mother and Tohma is using this to his benefit to have Jin aide him. It’s likely that the revenge may also coincide with whatever goals Tohma has in mind. Regardless, they are using one another and benefiting off of one another. But it seems that Tohma is frustrated that Jin is not keeping his end of the bargain due to remaining in his room. Hiding away from his responsibilities. Something we have seen Tohma growing more frustrated with in the chapters leading up to this.

With that out of the way, Tohma tells Jin that his prediction was correct and a Class B anomaly had appeared at the orphanage. Explaining that he had handled the anomaly there, Tohma states that the case still was not over. He continues by saying that he sent the second years to investigate the mansion in the morning. Tohma says that there’s something in that house and then asks Jin what his orders are and explains that even if Jin’s stigma does not work, they will still need their help.

It’s now confirmed that the mission Tohma has been on is overlapping with the mission that the trio are working on. Once again, urging Jin to take part. That they will need Jin’s help even without his stigma.

Episode 1 Chapter 40, Tohma arrives at the mansion where Lucas, Kaito, and MC are at. When he approaches them, he states that he just happened to have an errand in the area and him being there was a coincidence. He then asks the group what their plan was and Lucas says they’re trying to find a way inside. Tohma explains he can make one for them and pulls out an artifact key. Said artifact is a skeleton key and has the capabilities of opening anything so long as it has a keyhole. He goes on to say that he has earned Darkwick’s trust and this allows him access to more valuable and rare artifacts “unlike other ghouls”.

Having earned Darkwick’s trust has now given Tohma access to rare artifacts to take on missions. Something that he clearly thinks is a privilege by his statement of other ghouls. To whomever he’s referring to, we don’t necessarily know. But we see that this statement, alone, has Tohma appear as if he feels he is ‘above’ certain ghouls. We don’t typically see Tohma make statements like this, so it’s interesting that he made a statement in front of two other ghouls and MC.

Lucas asks what business Tohma has at the estate they’re investigating. He explains that there was a case where some children had their hearts removed and Darkwick suspected anomalous activity and assigned the case to Frostheim. It was suspected for anomalous activity due to the bodies of children were discovered months after their deaths and that one of the children showed up in footage a day before their discovery, completely healthy. That this pointed to anomaly activity and how Jin entrusted Tohma to complete this investigation.

We get the details of the full overlap of investigations here and an explanation as to why Tohma is there, to begin with. It seems that both Darkwick and Jin trust Tohma enough to allow him large responsibilities.

As they continue on, Tohma notes that it’s odd they’ve yet to cross paths with anyone in the estate. Tohma tells the three of them to keep watch near Mr. Long-Leg’s room and to call him if they see anything suspicious and not do anything. Heexplains they should refrain from doing anything reckless and if they disobey he will leak Kaito’s personal information all over the Masterpiece Newscasters. He and MC then read over Kaito’s WickChat and he, again, reminds them to follow his orders before departing to the chapel.

Tohma takes command of the investigation here and even goes as far as to using blackmail as a way to keep them complaint. It had been stated before that this was never anything beneath Tohma. We’ve seen him repeatedly use others to his benefit but this is quite a brazen display of his willingness to use others to his benefit.

Episode 1 Chapter 41, investigating the chapel, Tohma says it’s clear of activity but that Class B anomalies have varying intellect and it’s possible they could be using Mr. Long-Leg’s room for the activity despite that being sloppy of them. He goes to regroup with the trio only to find that they are no longer there and wears a very angry expression.

This is the first time we’ve seen Tohma’s expression visibly angry. After the trio disobey his command. It seems he had lost his cool, though it’s good for him no one was around to see his very volatile expression.

Going to Mr. Long-Leg’s room, Tohma opens the door and notices an odd smell coming from the closet. Approaching said closet, he opens it and calls Kaito to ask where he is. Learning that the trip followed Mr. Long-Legs enter the basement and Tohma says they should stay put. Explaining shortly that he opened Mr. Long-Leg’s closet and found his body inside and that what they’re following is not Mr. Long-Legs.

Episode 1 Chapter 44, Jin arrives at the estate and makes his way to the basement with Tohma where they see Lucas fighting off the anomalies.

Episode 1 Chapter 45, Tohma seems impressed and surprised that Lucas had fought off so many of the anomalies stating, “To think he took down this many anomalies…” Lucas soon introduces himself to Jin and Tohma tells Jin to at least give him his name. Jin asks if the girl tied up is MC and Tohma says it is.

It seems Tohma is impressed with Lucas’s ability to fight so many of the Class B anomalies off on his own. He had taken down quite a few and seemed he was still able to fight more of them off if need be.

Tohma soon tells Kaito to lead the children and he will carry those who cannot walk. Jin tells Tohma to clear a path, to which Tohma states he is carrying a child and Jin orders him to not get a scratch on the child in the process. Amused by this, Tohma replies with, “No less unreasonable than the day we met, I see.” While smiling as he charges up the stairs.

We see here how Tohma and Jin work together and it even seems that Tohma is glad that Jin is giving him orders. It seems he feels as if Jin is finally taking some of his responsibility and leadership back- something he had been trying to get Jin to do for some time.

Jin tells Tohma that they’re moving too slow and to go up ahead. Tohma states one of his arms is occupied so he’s less than efficient. The child he’s carrying apologizes for not being able to walk. And Tohma asks why he is apologizing and that he’s a child and will protect him whether he could walk or not. The group then heads to the rooftop.

We see some form of compassion here from Tohma towards the child he was carrying. Even though he is less than efficient because he’s carrying the child, he does not blame it on the fact that the child cannot walk. He says he would protect him whether that was or was not the case. The blame never once being shifted onto the child he’s protecting.

Episode 1 Chapter 46, Jin and Tohma seem to share a silent moment before Jin states, “I know” before Jin uses his stigma. Tohma uses this opportunity to use his artifact to cut down a bulk of the anomalies. Shortly after, Jin commands Tohma to destroy the building and Tohma activates his stigma and swings his artifact down, causing the building to being to rumble. Jin then explains that Tohma’s stigma allows him to send vibrations long distance and with his brute strength combined, he’s able to destroy the estate with ease.

A showcase of Tohma’s brute strength combined with his stigma is displayed here. He was able to destroy an entire building with the combination. A terrifying feat, in of itself.

With everyone now on the helicopter, in Episode 1 Chapter 47, Tohma asks everyone if they’re okay. Per Jin’s request, he also goes to take the kids they’ve rescued somewhere safe. Once the helicopter lands, Tohma uses a match on the children and explains he works for an orphanage that they’ll be going to. That it will be their new home.

After they arrive back at Frostheim, Tohma exchanges a few words with Chancellor Cornelius about the situation with the Masterpiece Newscasters and the new announcement made about Yumiko being the one to leak this information. This remarks that Yumiko being expelled was a light punishment and Cornelius confesses that Jin was the one who requested the lenient punishment above Chancellor Cornelius. This causes Tohma to laugh and states that it’s quite befitting of his title as the president’s son.

Again, Yumiko was brought up and it was revealed that she was the one to leak the information to the Masterpiece News. I do have thoughts on the Yumiko situation that I’ll go into on the What May Come to Pass section of this post. Furthermore, it seems that Jin was the one to ‘reprimand’ Yumiko and not Cornelius. Tohma being quite amused by this prospect. Perhaps because Jin had gone over Cornelius’s head to hand out this ‘lenient’ punishment of expulsion.

Episode 1 Chapter 48, Tohma greets MC at the Frostheim ball being held and explains that he cannot attend to MC due to having some important matters to attend to. He lets her know that the second years are around and she should look for them. MC notes that Tohma, in his house uniform, exudes a slightly different air than usual and he leaves shortly after.

Again, Tohma has ‘important matters to attend to’, something he seems to say often to excuse himself. Another thing to note is how MC states that Tohma ‘exudes a slightly different air than usual’ while in his house uniform. It doesn’t explain what that different air is but it’s still interesting that he seems to hold himself differently depending on what he’s wearing.

Episode 1 Chapter 49, MC and Jin share a dance and when it ends, Tohma tells her that she dances well. Shortly after, Tohma and Lucas have a conversation about how the matches do not affect ghouls. He explains that he felt it was important to bring up due to Lucas wanting to speak with MC as a way to avoid having the matches used on him. Then Tohma notes that he finds it admirable that Lucas was prepared to enter negotiations.

Tohma seems to be able to read others well enough to know that Lucas was going to use MC as a way to prevent the matches from being used on him. However, Tohma is quick to explain that the Mesmer matches do not work on ghouls but thinks Lucas is admirable for being prepared for such a scenario. Still, Tohma has the upper hand as he knew that matches would not work and Lucas did not know this. But he recognizes someone who is clever enough to fish for solutions.

Episode 1 Chapter 50, Lucas then asks Tohma if he knew about the anomalies within the estate and if Lucas was sent there to be tested. Tohma tells Lucas that if he has complaints over the missions provided to take them to the staff, as they are the ones to provide the missions and not Tohma, himself. Noting that he won’t be able to leave without giving explanation due to Lucas’s stubborn behavior, Tohma launches into telling what really happened. He explains that an anomaly had been impersonating Mr. Long-Legs for about six months. He also notes that children were being eaten by anomalies in an orphanage and the anomalies were caught due to their greed of overconsumption. He then explains how Jin was doing his own private investigation with his family connections and he had a thorough plan for their escape. He credits Jin for making the connection between his case in the orphanage and the estate and goes on to say that Jin is actually a kind person.

First, we see Tohma deflect blame to the staff. They are the ones to compile the list of missions and providing their rankings. There could be a few reasons for Tohma to do this. 1) He is trying to get Lucas to realize that the staff are incompetent and untrustworthy for not thoroughly vetting the mission rankings. Or 2) Tohma does not want to be blamed and is shifting it. Personally, I think it’s the latter. He also gives credit to Jin for essentially connecting and planning everything out for their success. Then goes on to say Jin is a kind person. An odd comment coming from Tohma as he is not typically one to uplift and compliment others, from what we’ve seen. He’s either saying this because he gains something from doing this (perhaps gaining Lucas’s trust here), or because he truly means it. He finds Jin to be a kind person and thinks it’s important for Lucas to know this.

After their conversation, Tohma goes to the balcony to meet up with Jin and the two have a conversation. He asks if he can have a cigarette and is given one, Jin lighting it with his own. Jin then tells Tohma to drop the act and how he finds it shameless. Tohma admitting that he’s “grown used to it”. He then calls out Jin for being equally shameless for pulling strings to lessen Yumiko’s punishment from leaking information to the Masterpiece News. Jin excuses himself and departs.

In this brief conversation, we learn that Jin is aware of Tohma putting on an act. That he finds it shameless. Tohma seems to think Jin is equally shameless for being too kind or that he exerted his power over the Chancellor. One of the two. But it’s clear that they’re both aware of the ‘game’ the other is playing and find it shameless or, rather, annoying.

Episode 2 Chapter 20, Tohma arrives at Vagastrom and enters a car with Alan. Leo is listening into the conversation and hears only a part of it. To which Tohma explains that, ‘he’ll take care of it’. Alan apologizes and Tohma then says that they’re “closing in on the spy”. He expresses that Alan needs to keep his head low and not bring anymore attention to himself than he already has. Then he explains that he’s messing with him since Frostheim is not off the hook after “what one of ours did”. Alan says that they have a live one on their hands and Tohka remarks that he was more surprised that he got Jin to make a move.

The two, here, are discussing a couple of different topics. One about a spy. This one, we don’t have much information on. But it’s clear that Tohma (and Alan) are both trying to find a spy. He wants Alan to keep his head low and then says he’s teasing him since his own house had interfered. The topic shifts to Lucas and how he’s a bit on the wild side. But he seems impressed that Lucas got Jin to ‘make a move’. Something that Tohma had been trying to do for some time. Lucas, it seems, will be useful for Tohma.

Tohma asks Alan how his own new guys are holding up and Alan says he doesn’t understand them. Tohma jokingly calls him gramps and explains that one of them will likely become his Vice-Captain so he better train them well. Tohma notes that whoever works the best with MC will likely be given the role and how Alan has done well so far with handling everything on his own. He expresses that he hopes that the burden on Alan’s shoulders will be lightened.

Again, the two continue their casual but informative conversation with one another. It almost feels as if this is the most natural acting we see Tohma. He’s able to tease and even make little jokes. Even still, he treats it as business as well. Telling Alan that he needs to train his newbies well and that whoever will be made his Vice-Captain will be whoever works best with MC. And, furthermore, Tohma seems to find Alan hardworking. Expressing how he’s handled everything on his own. It feels almost genuine that he thinks highly of Alan.

Episode 2 Chapter 26, we learn Tohma was in Vagastrom until the middle of last year before transferring to Frostheim.

A small crumb of lore about Tohma and how he was formerly in Vagastrom before transferring last year. This shows that he was only recently put in Frostheim and how he is a Vice-Captain there.

Episode 2 Chapter 27, Alan gets a call and goes to meet up with Tohma in the car. He asks what he wanted and Tohma explains that Alan was the one to call him here, not the other way around. Leo soon cuts in and reveals himself to the two, stating that he’s the one who lured them both there. Alan and Tohma both reach for their artifacts and Tohma asks Alan to explain how Leo found out about their meetings.

Being secretive as always, Tohma seems to prepare to jump to fighting at the sudden eavesdropping. He is a bit disgruntled, it seems, by someone else having the upper hand on him. Having been tricked into meeting in the car with Alan only for them both to be duped.

Episode 2 Chapter 28, Leo is quick to explain how he asked Alan if he could ‘join in on their fun’ and was told no. Tohma then remarks about how it had to be Leo who sent the message to meet, due to the lack of typos from Alan. Leo confirms this by saying they meet all the time but that Tohma is not in Alan’s contact list and his WickChat is under a different name. Tohma seems only mildly frustrated at how he’s explained to Alan multiple times to set a passcode for his phone.

It almost feels as if Tohma was underestimating Leo by feeling as if he only figured this out due to Alan’s lack of diligence. Putting the blame on the lack of password on his phone. But tension does seem to ease up slightly, since he seems to not take Leo as a serious threat here, when only moments ago him and Alan were both ready to attack if need be.

Leo questions why someone from Frostheim is meeting here- noting how Frostheim and Vagastrom are meant to be enemies and questions why Jin is not the one to have these little meetings. Tohma explains that one of his duties is to maintain relationships between houses has been entrusted to him by Jin and how he only reports to Jin if there’s a major issue. Then states the only reason Jin was there earlier was because he was looking after their new transfer student, as he’s taken him under his wing. Then Tohma notes that he has quite an unruly new first year.

Tohma cooly explains why he’s there rather than Jin and doesn’t seem to give more information than necessary. Again, it seems he’s underestimating Leo here.

Alan cuts in and explains how Leo is good with tech, that he didn’t teach him that, and earnestly responds to Tohma’s question of if he taught him that. Leo explains how it was sarcasm on Tohma’s part and asks if he’s sure that Tohma isn’t taking advantage of him. Leo then asks how much he extorted the “chick with the dad from Saionji Trading” and Tohma plays dumb, saying he doesn’t know what he’s talking about. Alan tells Leo to go back to his room and Leo snaps that he’s only trying to look out for him. Alan explains that Tohma has his own reasons for doing what he’s doing and to not meddle in his business.

Immediately, Leo does not trust Tohma. He seems to think Tohma has ulterior motives. Then goes on to bring up the fact that Tohma had extorted someone despite Tohma playing dumb at this. Despite this, Alan does not seem interested and says Tohma has his reasons for doing what he’s doing. So we see that here, Alan trusts Tohma and his intentions. And we also see that Leo does not trust him in the slightest and Tohma seems to underestimate him, in turn. Even as he’s called out for extortion, he simply plays dumb.

Episode 7 Chapter 19, MC runs into Zenji and Haku on campus and begins to converse with them. Tohma appears shortly into it saying, “My, my. What an interesting pair.” before commenting on the artifact that’s following Haku around (the doll) and how he’s heard Haku has personally taken up the investigation for it. Haku explains how it’s “in our wheelhouse” to investigate traditional artifacts. Tohma is quick to point out the use of “our” and MC internally notes that things feel tense.

Tohma displays here that he’s quick to pick up on unusual language usage (Haku saying ‘our’ when he’s currently alone from Tohma’s perspective) and the strange doll artifact following him. I think it’s clear that he thinks something is off and that Haku is hiding something.

Tohma then explains how he actually has business with MC and confirms that she’s currently working with Mortkranken. He then launches into an explanation that someone from Frostheim had passed away. Tohma says that it is in Frostheim’s best interest that the case MC and Mortkranken are working on be solved quickly but that Mortkranken had declined to do an autopsy on the body of the dead student. Haku asks why they refused and Tohma tells him to not act dumb and that they both know who made that call. Then Tohma says that Frostheim is willing to respect Yuri’s wishes but that they will not allow for someone to threaten their students and run off with personal information. MC notably is confused by this revelation.

Again, Tohma feels as if he has the upper hand here. He tells Haku to not play dumb- they both know it was Yuri who declined to do an autopsy. Then he also reveals information that someone (whom he suspects to be Jiro) had run off with personal information from Frostheim.

Episode 7 Chapter 20, Tohma notices MC’s confusion. He asks her if she was not aware of what had happened that night. Tohma replies with, “I had assumed an esteemed inspector such as yourself would be aware of the actions of your assigned house. Perhaps I had the wrong impression of you.” He then tells MC to relay a message to Yuri. That Frostheim will be giving their full support to Darkwick General Medical Center rather than Mortkranken.

Tohma is quick to call out MC’s incompetence, here. How he may have overestimated her abilities as an inspector. Then uses MC as a way to relay a message to Yuri on a subject he knows will anger the Mortkranken Captain. Again, showcasing his ability to use underhanded tactics to try and strong arm what he wants. And, either way, he wins. Either Yuri complies and does the autopsy or Yuri declines and he gets under his skin.

Rui soon appears behind Tohma, jokingly saying he’s surprised everyone here is being buddy-buddy and how it’s hilarious. Then he comments on how he finds it odd that Tohma was chatting with others since it was a rare sight and Tohma replies back, saying it’s even more odd that Rui is out and about considering his movements are restricted. Rui reminds Tohma that even though he’s been hiding, it doesn’t mean he doesn’t keep his eyes on everyone. Tohma then reveals that Rui’s artifact allows him to conceal himself in darkness and thanks Rui for the heads up. To which Rui replies with a simple, “no problem”.

Another tense conversation takes place. But this time it seems that Tohma does not feel he has the upper hand. Rui catches him by surprise and calls out his unusual ‘chatty’ behavior and Tohma tries to give his own witty remark about how Rui’s movements are restricted. Rui doesn’t seem put off or bothered by this comment and teases that he may be hiding but he still knows things. This whole exchange feels as if it holds multiple layers of meaning here. That it’s an attempt for them both to try and get under each others skin, only Rui seems to be unbothered where as Tohma feels more on the defensive here.

Rui changes the topic, speaking to MC to let her know he has a box for her to give to ‘Big J’ (Jiro) since he was at Obscuary last night looking for some herbs. Tohma seems confused by this, as he had believed Jiro to be at Frostheim that night and not Obscuary. Rui then goes on to state that Darkwick General knows nothing about curses and for Mortkranken to keep up the good work. Tohma only raises his brow at this comment and Haku mumbles out a “yikes”. Tohma then excuses himself and apologizes for interrupting the conversation before Haku tells him it was nothing important. He tells him good luck with chaperoning Jin and Tohma says it’s an honor to serve him and then departs.

This exchange is pretty charged. In one quick motion, Rui is able to knock Tohma off of his game. Both by saying that Jiro was at Obscuary the night before and that Darkwick General lowkey kind of sucks. Haku commenting “yikes” proves that the comment was rather scathing and Tohma is speechless. Instead of digging further, he retreats. The entire exchange almost shows that Tohma feels as if he cannot gain the upper hand with Rui. So much so that he’d rather leave than make the situation worse.

As it stands, these are the scenes that Tohma appears in and they start to really show us how Tohma is as a person. Through the various interactions he has with others and the actions he takes. The story makes it clear that he’s one to use everything to his advantage and likely the most genuine relationship he has is with Alan. Followed likely by Jin. Though- their relationship is complex and likely filled with multiple layers.

We also see that Tohma has prickly conversations with multiple ghouls such as Leo, Haku, Rui, and even Yuri to an extent (though through MC and not directly since it seems Yuri is avoiding them).

We also see that Tohma had some underhanded dealings with a student named Yumiko and it carries on throughout the Frostheim chapter and is even brought up again in the Vagastrom chapter. Extorting her for his gains.

Tohma has been displayed as someone who’s very clearly putting on an act- as called out by Jin- and uses others for his own benefit. Yet, he’s also someone who does value those who cannot defend themselves when he tells the kid that he’d protect him whether he could walk or not and to not beat himself over it.

He is a complex character with complex motivations.

࿆࿆⸅ྃ⸄࿆⸅⸄῁̟࿆⸅ྃ⸄῁࿆⸅⸄῁̟࿆⸅ྃ⸄῁࿆⸅⸄῁̟࿆⸅ྃ⸄῁࿆⸅⸄῁̟࿆ ⸅𓊆𓆌𓊇⸄῁࿆⸅⸄῁̟࿆⸅ྃ⸄῁࿆⸅⸄῁̟࿆⸅⸄῁࿆⸅⸄῁̟࿆⸅ྃ⸄῁࿆⸅⸄῁̟࿆⸅ྃ⸄࿆⸅⸄࿆࿆⸅

What May Come to Pass

I want to quickly note that in this section, these are all my theories and predictions for the character path that Tohma may take in future chapters. There is a high chance some of these may be used as red herrings or simply not happen at all. But the fun in all this is to speculate, no? So please take this section with a grain of salt but enjoy it, all the same, as we explore these potential possibilities.

The Again Cat

As we discussed in the R Warding card, Jour Nekomata, one of the spellings for Nekomata breaks down into ‘again cat’. A reference to their multiple lives. Tokyo Debunker has clear themes on repetition and cycles. This theme carries on in Tohma with clear references to multiple lives. The theme also comes up with Tohma’s name, as well. Bridges being a representation from one transition to another; the ending of a cycle and the rebirth of another. With cats having multiple lives and bridges being a metaphor for going from one life to another- I can’t help but to feel that this connection is just a little deeper. While I don’t feel that Tohma is aware of these repeating cycles, I do feel like it’s too large of a theme to really ignore, at this point.

Betrayed By the Game

Now, I want to really focus on the multiple hints the game seems to remind us of Tohma’s deceptive nature. I feel it would not be out of Tohma’s nature to betray Jin. In fact, I feel as if it’s possible he’s already begun.

I want to start by discussing Yumiko and how that whole ordeal was handled in the story. So let’s go over that part step by step;

Episode 1 Chapter 12, we see Yumiko in the Frostheim Vaults running away from the anomalous chess pieces.

Episode 1 Chapter 13, Tohma denies knowing what person was inside the vault, at this time.

Episode 1 Chapter 30, Tohma returns to Frostheim with information on Jin being leaked.

Episode 1 Chapter 32, Tohma is attempting to call Yumiko but she isn’t picking up the call.

Episode 1 Chapter 32, Jin confronts Tohma, thinking he was the one to betray him.

Episode 1 Chapter 32, Tohma states he is always on Jin’s side.

Episode 1 Chapter 47, Yumiko was exposed as the one to leak information and was expelled.

Episode 1 Chapter 47, Cornelius reveals it was Jin who had Yumiko expelled.

Episode 2 Chapter 28, Leo exposes Tohma for extorting Yumiko.

Episode 2 Chapter 28, Tohma pretends to not understand what Leo is talking about.

I have a hard time believing that an ordinary student had the ability to sneak into the vault without Tohma’s knowledge. Additionally, I’m curious as to where Yumiko was able to get such sensitive information about Jin from.

Would it be so hard to believe that Tohma had ‘planted’ the information for Yumiko to gain? I don’t think so. He’s been painted to us as clever and willing to use any means necessary to get what he wants.

Additionally, we hear about the sensitive information being leaked when Tohma was conveniently out handling mission affairs. He then attempts to call Yumiko but she doesn’t answer.

Why was he calling her, specifically, unless he knew she had the information? And, again, why would she have this information? Who would she get it from?

We only see her tied to Tohma, in the story.

Jin also suspects Tohma so much as to blatantly leave his room- a goal Tohma has been aiming for some time, now- to confront him. Tohma is quick to push blame onto his ‘dear friend that left his side’ when he was, moments ago, trying to contact Yumiko. He reassures Jin that he’s on his side.

Then we hear about Yumiko being expelled for leaking the sensitive information. We also learn that Jin was the one to have this happen and Tohma considers it a ‘light’ punishment.

Finally, we later find out from Leo that Tohma had blackmailed Yumiko. And then Tohma, once again, pretended to not know who Leo was talking about. He had used the same tactic when told that Yumiko was fleeing the vault.

Playing dumb is a tactic that Tohma uses.

Extortion is a tactic that Tohma uses.

Is it truly unbelievable that betrayal also would not be a tactic that Tohma uses?

I think what happened in this scenario was that Tohma had given Yumiko information on Jin about his mother. Then has Yumiko leak the information when he’s conveniently not there. Followed by trying to contact her- likely to blackmail her to not reveal where she got the information from- and then she falls for the information he wanted leaked all along.

The thing that throw this off is why did she run from the chess anomalies if he invited her?

Perhaps he didn’t. Perhaps he simply hinted at information being in the vault and turned a blind eye to her ‘sneaking in’. What he didn’t account for was MC to ask about her. But he was able to play dumb.

Either way, I don’t have all the answers there. But I just find the whole thing very much tied up to Tohma. And his motives are more clear to me than a random NPC girl we only see a brief glimpse of.

Tohma had been trying to lure Jin to take action, after all.

Either way, Tohma betraying Jin is not something that I find far-fetched. Once he gets what he wants from Jin, will he find him of any more use? Only time can really tell.

Transition of Power

Speaking of betrayal- I find it very convenient that Tohma had also switched halfway through a year from one house to Frostheim and took over the Vice-Captain role. He also mentions to Jin about his ‘dear friend who left his side’. Whether that friend is Yuri or Haku- or even a third mystery party- feels irrelevant to me at this time.

With how often we’re shown that Tohma will do whatever necessary to reach his goals- would it be hard to believe that he set up Jin’s ‘dear friend’ to betray him (or leave his side)? To take over and ‘transform’ into that friendship role in their place?

We’ve seen him (presumably) set up Yumiko. Setting up others seems to be something he is familiar enough with.

And with the transition themes that pop up on Tohma, I find him transitioning from one role to another to be pretty commonplace. How he transitions is truly the key here. And betrayal does not seem far off the notch for me.

Cure for the Curse

Episode 1 Chapter 29, we see Tohma consume some mysterious pills. We don’t know what these pills are for or why Tohma is taking them. We can see clearly that Tohma had been fighting anomalies shortly before taking the pills. So I have a couple of thoughts on what they’re for;

Tohma has been cursed and is managing it through pills.

Multiple uses of the stigma breaks down the users body.

For the first one, Tohma being cursed and managing it through pills is not too out of the question. Especially when you consider what Rui says to him in Episode 7 Chapter 20 and the reactions both Haku and Tohma give.

That scene always sort of gave me the feeling that it was deeper than just a simple interaction. And when I thought about it, it started to make sense to me.

Tohma tells MC to relay to Yuri that Frostheim will be funding ONLY Darkwick General Medical Center going forward, due to their lack of cooperation. Then Rui blatantly states that Darkwick General knows nothing about curses.

Haku, who knows quite a bit about curses, responds with “Yikes…” and Tohma is silent before leaving.

Rui would likely be intimately familiar with how Darkwick General handles curses, considering he is cursed, himself. And there is some heavy tension between Rui and Tohma. Rui stating it’s weird for Tohma to be out and about (even in a campus hangout). Then Tohma trying to deflect by saying it’s weirder for Rui to be out (always implying his curse is the reason).

Could Rui be hinting that Tohma is also cursed?

Could the pills not be effectively working for Tohma and he knows this? Or could he be getting them supplied from Mortkranken secretly?

Either way… we know the comment that Rui said about Darkwick General knowing nothing about curses was enough to make Tohma back off and leave.

For the second one, there’s a little less to go off of. But we’ve seen Leo complain about his ears throughout the story and how they’re sensitive. Is it possible the more he uses his stigma, the worse the condition becomes?

And is Tohma perhaps using his stigma so much to the point of needing pills?

It’s possible.

But… I do think Tohma being related to curses, to some degree, and possibly even being cursed feels more likely. Especially with his tension with Haku and Rui. Both who are also quite knowledgeable on curses.

There are more things I could say here but I’ll leave it with these few things. But what I can say is that Tohma is definitely a secretive character that I expect us to learn more about in the coming chapters.

࿆࿆⸅ྃ⸄࿆⸅⸄῁̟࿆⸅ྃ⸄῁࿆⸅⸄῁̟࿆⸅ྃ⸄῁࿆⸅⸄῁̟࿆⸅ྃ⸄῁࿆⸅⸄῁̟࿆ ⸅𓊆𓆌𓊇⸄῁࿆⸅⸄῁̟࿆⸅ྃ⸄῁࿆⸅⸄῁̟࿆⸅⸄῁࿆⸅⸄῁̟࿆⸅ྃ⸄῁࿆⸅⸄῁̟࿆⸅ྃ⸄࿆⸅⸄࿆࿆⸅

Overview

As I researched Tohma, I felt there were a few reoccurring themes throughout his character.

Notable ones being; his ability to ‘blend in’ to any crowd and come across as unassuming, the deception he uses on others to further his goals, and transition or change.

I don’t think that Tohma is a villain. He is a complex character with unknown motives to us, the reader. But whatever his goals are, it’s clear he’ll do whatever he can to reach them. The game made this clear from the beginning.

Expecting deception and betrayal from Tohma should be expected.

But when we peel the layers back, what will we find behind the facade? Who is the real Tohma Ishibashi? Or has he lost his true self from the multiple attempts to blend in for his endless pursuit to complete his tasks?

Tohma mentions having grown comfortable with his game of pretend, to Jin. And he fits the role well enough. Always the ever-loyal Vice-Captain, as he often reminds Jin. Trust him.

The duality of deception is that when you try hard to trick others, how far will you go before you ultimately trick yourself?

࿆࿆⸅ྃ⸄࿆⸅⸄῁̟࿆⸅ྃ⸄῁࿆⸅⸄῁̟࿆⸅ྃ⸄῁࿆⸅⸄῁̟࿆⸅ྃ⸄῁࿆⸅⸄῁̟࿆ ⸅𓊆𓆌𓊇⸄῁࿆⸅⸄῁̟࿆⸅ྃ⸄῁࿆⸅⸄῁̟࿆⸅⸄῁࿆⸅⸄῁̟࿆⸅ྃ⸄῁࿆⸅⸄῁̟࿆⸅ྃ⸄࿆⸅⸄࿆࿆⸅

Final Author Notes

If you’ve made it this far, then thank you for taking the time to read this incredibly long post. It feels a bit all over the place for me. But I still had fun working on it, all the same.

Again, if you don’t agree with anything I’ve said- that’s fine! Just be respectful, is all I ask.

I will say, Tohma is not my favorite character by any means necessary. But he is interesting and complex in a way that I do find fascinating. I expect to see an interesting story from him, whether it’s something I predict or not.

Anyways. Once again, thanks!

࿆࿆⸅ྃ⸄࿆⸅⸄῁̟࿆⸅ྃ⸄῁࿆⸅⸄῁̟࿆⸅ྃ⸄῁࿆⸅⸄῁̟࿆⸅ྃ⸄῁࿆⸅⸄῁̟࿆ ⸅𓊆𓆌𓊇⸄῁࿆⸅⸄῁̟࿆⸅ྃ⸄῁࿆⸅⸄῁̟࿆⸅⸄῁࿆⸅⸄῁̟࿆⸅ྃ⸄῁࿆⸅⸄῁̟࿆⸅ྃ⸄࿆⸅⸄࿆࿆⸅

Credits & Sources

[1] https://tokyodebunker.com/characters/ishibashi-tohma/

[2] https://www.reddit.com/r/TokyoDebunker/s/4M8H3o4Al0

[3] http://www.aseekersthoughts.com/2010/04/tower-as-symbol.html?m=1

[4] https://spiritualmojo.com/tower-spiritual-meaning/

[5] https://www.dreamdictionary.org/dream-dictionary/dreaming-of-bridges/

[6] https://daily-ink.davidtruss.com/bridging-metaphors/#:~:text=Or%20we%20find%20bridges%20as,get%20us%20over%20a%20challenge.

[7] https://www.reneeharmon.com/2023/02/15/stepping-stones/#:~:text=The%20metaphor%20of%20stepping%20stones,doesn't%20seem%20as%20daunting.

[8] https://www.scienceofpeople.com/signature-analysis/

[9] https://www.wikihow.com/Analyze-Handwriting-(Graphology)

[10] https://www.zodiacsign.com/zodiac-calendar/may/31/

[11] https://colors.dopely.top/inside-colors/beige-color-color-of-energy-and-strength/?amp=1

[12] https://www.figma.com/colors/beige/

[13] https://www.optometristsclinic.com/b/how-the-monacle-became-symbol-wealth-edmonton

[14] https://www.merriam-webster.com/dictionary/contrived

[15] https://www.talknerdytome.com/blog/what-does-touching-your-face-mean-in-body-language

[16] https://dreammeaningai.com/en/symbol/zipper

[17] https://www.historyextra.com/period/ancient-egypt/why-do-we-say-crocodile-tears/

[18] https://www.symbols.com/symbol/crocodile

[19] https://thejapanbox.com/blogs/japanese-mythology/nekomata

[20] https://en.m.wikipedia.org/wiki/Nekomata

[demonslayerunhinged]

Uhm...hello...oh my god, okay, this is my first time doing this so I probably should apologize in advance for I just know this is going to be a big yap session (there'll definitely be a question, trust).

I'm rather new to the KnY fandom so I haven't really completed the manga yet (as in, analyzed it) although I've gotten all the Spoilers I could get. I've read the light novels to an extent, too)

Sanemi really became my favourite character although it was a connection I couldn't really explain or express since he unfortunately remains one of the most hated characters in DS, and yes I began shipping Giyuu x Sanemi even though many people seem to think that's weird and came out of the blue.

A Pinterest pin with a link to your page; a post where you had a theory that Sanemi had some form of anxiety...and boy am I grateful to the person who made that post, I've been hooked to your blog ever since.

So, uhm, first of all let me just say that I love all your writings. They're convincing, elaborate, and the amount of research you've put into them is mind blowing! The Obanai analysis, the fandom discourse, to name a few, are some of my favourites. I've only read a few, so you might've already made a post answering a question similar to this, but uh...lemme ignore that. Okay, that's enough...onto the questions.

I wanted to ask you about Giyuu and Sanemi's relationship. One thing critics love to say is that their relationship would be "toxic." (That Giyuu's uncommunicative ways will be irritating and unbearable for Sanemi and since he's shown to be rather impatient, he'd lash out and Giyuu will only become even more quiet.) I genuinely want to know what you'd have to say about this. I can already tell you're an unapologetic GiyuuSane shipper, so I wanna know, as I don't know much about their relationship myself, but found that I adored the ship so much it became too much to bear.

Another thing is about Demon Slayer itself. I'm almost very sure that you are aware of how many people criticize the show. I've fallen in love with KnY and I genuinely want to understand why it's hated so much. So far I've been hearing that KnY is badly, poorly written; it has one-dimensional/ one-sided characters, sucks at world-building, is inconsistent, overrated, mid, cliché, unoriginal and what not. I've seen somebody make a freaking hour-long YouTube video on why DS is that bad. (I'm unsure if you've seen it, though.) Some people say there's way too much plot armour and the villains got nerfed, that Douma vs Shinobu fight was just the author rushing things; apparently the ending was rushed too. Its pacing was "horrible" the backstory dumping and the endless monologue is annoying to them, and "the only personality the characters ever have is their backstory." Someone even commented "the characters are basically caricatures with catchphrases."

I've heard that Obanai's character is boring, inconsistent and lacked development (that his character can literally be summed to "I hate all women except Mitsuri"), that Zenitsu is annoying, terribly written and is wasted potential, that Kanao is a typical Y/N character and that the Kamado siblings are nothing special, and are extremely generic and boring (especially Nezuko, she seemingly has zero personality.) Idk much, but there are some posts on Pinterest saying that all the canon ships except the Uzuis have poor writing. Even Giyuu seems to be a "Wattpad mafia lord who acts like he's carrying too much pain." Basically they're saying the characters are one-sided, lacking in development, mid, the villains are auraless, the anime is cliché and has nothing unique to it, and the only thing that carries KnY is Ufotable's animation.

Now the reason I'm writing to you is because I really, really want to know what your opinion on this is. I mostly think perspectives differ based on how people define "good" or "bad" writing, everyone has varied views; however as much as I want to defend an anime I've surprisingly grown embarrassingly attached too, I think you're better qualified. It hurts when people attack something that's close to your heart, even if it is just a bunch of pixels. I'm probably stupid to get affected by mere criticisms of a damn ANIME this much, but unfortunately this doesn't seem like something I can control. I am a deranged, cowardly escapist so I didn't even watch the criticisms properly but got the gist of it.

Uhm...yeah, I'm very sorry if I sound demanding, you can take your time, it doesn't matter how long it takes to reply (it's okay if you don't even want to reply, needed to get this off my chest to someone somehow), please don't stress yourself out, I've seen all the amazing titles you're preparing for, wish you luck.

(Okay I'll stop now. Sorry.)

Hey Anon,

I hope you're doing well.

Not gonna lie your ask made me tear up a bit especially towards the end of it because I get you, I get you so, so fucking much. Being a Demon Slayer fan, specifically an English-speaking Demon Slayer fan, is tough. It's like everywhere you look, all you see is negativity towards the series. At some point, you start to feel like you're the only one, you start to doubt yourself and feel, just as you described, crazy and deranged for getting so emotionally attached to such a'mid' anime series.

But lemme tell you this. Fuck those guys. Never be embarrassed for getting emotionally attached to a piece of media, that's what makes you human, it means that you have the time to critically assess and think about what you watch instead of just consuming it mindlessly. Creators LOVE people like you, and I'm absolutely sure that Gotogue-sensei would be touched that her work means so much to you. It's better to be attached or be a stan of something than to be a mindless bot wading through life with no passion for anything.

And I'm not just saying this because I'm also a deranged fan. This applies to any piece of media or any anime series. You know your heart, you know what you've been through in life, you know how life especially in this century is so fucking hard where it seems like everything is trying to crush you, where it feels like you're constantly trying to keep your head afloat in a vast ocean of despair being weighed down by, well, everything and if you find that one life raft that keeps you above the surface, that one thing that allows you to keep on going, that one ray of sunshine that makes you think hey maybe the world isn't so bad, as long as you’re in your lane, just enjoying KnY and engaging with the fandom in a positive way then who the FUCK are those barely sentient pieces of shit to take it away from you?

So with that being said, let's explore your concerns

SaneGiyuu is toxic

I feel the reason people think it’s a toxic ship is because a huge chunk of the fandom tends to infantilize Giyuu and vilify Sanemi. Which is a side effect of the lack of media literacy and shallowness that a lot of people possess.

Giyuu is always made out to be this soft, quiet, uwu-baby boy who is in need of protection because he's constantly bullied by the big, scary meanies like Sanemi and Obanai. Which people with working brains will know is far from the truth; Sanemi and Obanai talk shit about him yes, but if talking shit about someone constitutes as bullying then we’re all bullies and I bully my former boss.

Sanemi on the other hand is always made out to be either this irredeemable monster or this dominant, feral, 'hide-your-daughters' type man who's always alpha and on top, grrrrrr, he's both demonized and sexualized by a lot of fans. So with this mischaracterization of both characters, it's no wonder that people will see SaneGiyuu and come to the conclusion that it’s toxic because all they see is this soft, baby-uwu angel being paired up with this rabid monster. They want Sanemi and Giyuu to be Izuku and Bakugou from MHA so badly, which is just dumb. The other detractors of this ship usually lack the ability to recognize subtext or are just plain homophobic, thinking that the ship interferes with their fantasies.

Here’s a list of some posts I’ve made refuting these claims, but also exploring their dynamics. Just like you, this ship is really important to me because of it’s underlying themes of found family, trauma, miscommunication, isolation. And just the comfort of finding someone who has been through the same things you’ve been through and understands your pain.

The Anime is mid

Since you're new to the fandom it’s no surprise that the 'Demon Slayer is mid' comments would get to you, they used to get to me too. Long time fans will tell you how they’ve learned to just tune out the nonsense and focus on the fandom. Like yea yea we heard you, demon slayer is only carried by the animation, when you’re tired of complaining you’ll shut up and go back to snorting the Cheetos dust off your keyboard 🙄. 

I consider Demon Slayer a litmus test on how people analyze media, especially media that doesn’t have elements that they’re familiar with. See, here’s one thing that a lot of people, even fans of Demon Slayer, don’t get. Demon Slayer is a character driven story—every event or fight is done for the development of the characters in the story. That's why the plot is so simple because it’s not about the plot, it’s about the characters. When people criticize KnY’s plot for being simple, I can’t help but laugh because almost all the greatest stories in humanity have simple plots or some none at all.

Lord of the Rings is about a bunch of dudes who travel to a tower to destroy a ring. 

Gladiator is about a fallen general who is out for revenge on the emperor who betrayed him. 

The Matrix doesn't even have a proper goal until the third act of the movie. 

Harry Potter is about a bunch of kids who want to defeat the wizard that killed Harry's parents. 

American Psycho doesn't even have a proper story structure. It's just about a psychotic dude who goes axe-crazy, literally. 

The Star Wars franchise is about a bunch of people rebelling against a dictatorship. 

Sam Raimi's Spider-Man is about Peter facing the Villain of the week.

So why are these stories so close to our hearts? It’s because of the characters. All this talk about characters being nerfed, fights being boring, plot armor, pacing etc. etc. are all plot-related complaints which don’t apply to the story because it’s all about the characters. Those who say the characters are one-dimensional are just fucking stupid, lazy and shallow-minded. The rest don’t even properly watch the anime or read the manga, they just parrot whatever opinions are popular at the moment.

It also doesn't cater to the western gaze. KnY is completely and unapologetically Japanese, it can’t take place in anywhere but Japan. it’s so rich with Japanese culture, mythologies, folktales, and stories that it’s either you get it, try to get it or you don’t. Even the name 'Kimetsu no Yaiba' directly translates to Blade of Demon Destruction and not just any blade either, Yaiba specifically refers to a Japanese sword. It’s a love letter to Japan that celebrates Japanese culture and values so much that it borders on nationalism 😂. This is foreign to some anime dudebros who are used to anime that either takes place in modern Tokyo, Western-inspired fantasy countries, some version of 'San Fransokyo' or the Edo period.

This especially goes for that arrogant streak of shit who has dryer lint for hair that made the 1hr-long video. I’m sorry, but I’ll be damned before I entertain the opinions of someone who thinks Walter White is a great, complex character. Like bitch, you're not some deep, philosophical critic, you’re just a stupid edgelord who just happened to snare the interest of other stupid edgelords who want to feel like their existence and opinions matter in the grand scheme of things.

Here's a video where the creator refutes that asshole's bullshit criticisms. And here are some other positive and more nuanced analysis videos by people who have actual brains and, y'know, HAVE ACTUALLY WATCHED THE FUCKING ANIME AND READ THE FUCKING MANGA! Here, here, here and here. I'll post them in my pinned post and update when I find more stuff.

So please don't feel sad Anon! Nothing any of these cum-stain-should’ve-beens spew out of the cesspool inside their skulls will change the fact that Demon Slayer is a cultural phenomenon that revitalized the manga and anime industry. It is so popular that even the prime minister of Japan is a fan, that it introduced millions of people to not just anime/manga culture but also Japanese culture, that it revitalized the anime industry. There's also the debate about how it apparently outsold the entire comic book industry in 2020 and university researchers have studied and published analysis pieces on the characters. Not bad for a 'mid' series 😤

I hope I was able to answer your questions, and make you feel better. I'm glad you love my work but most importantly:

FUCK YEA!!! WE GOT ANOTHER GIYUUSANE BELIEVER!!!

[tuesday-teyz]

Butterfly Reign chapter 40 😧

Hi!

First of all, I just wanted to say how much I love Butterfly Reign—your writing is incredible, and I’ve been absolutely hooked from the start. I think I started reading when there were only about 10 chapters out, which feels like a lifetime ago!

I just finished chapter 40, and I’ve been thinking a lot about the direction the story took, particularly regarding Theseus and Wilbur. Their relationship has been such a complex and emotional journey, and I’ve really enjoyed seeing them work through their issues. Honestly, it’s crazy to think back to when I first started reading, and how I would’ve been rooting for Theseus to get his revenge, but now, with everything that’s happened, I didn’t expect the story to take such a tragic turn.

While I’m still deeply invested in the story, I’m curious about a few things—particularly the choice to have Wilbur die. I’ve been wondering, how long have you had this planned? I noticed the MCD tag from the beginning, so I’m wondering if this was always the direction you intended to take their characters or if it evolved as the story developed?

I’d also love to know your thoughts on Theseus’s actions here (without giving away any spoilers ofc). In the context of the story (obviously not condoning murder in real life 😭), do you think Theseus did what he had to do? Do you see him as someone who is still redeemable, or do you think that this was a mistake in his journey? I ask because, even though I’ve been the number one Theseus defender (his rights and wrongs) throughout the story, I found myself struggling with this moment. It’s the first time I’ve felt so conflicted about his character. I’m really curious about your perspective as the author, especially when it comes to the moral complexities in his decision.

Thank you so much for sharing this story— and I can’t wait to see what comes next! (even though i'm not yet willing to except that it shall continue BR!crimboys-less) at least give me hope for Br!discduo if nothing else

Hi, thank you for the ask, it made my morning!

To answer your questions, it's a little complex when exactly the decision came about. In my original outline back in 2022, this whole scene did not actually involve any fire. Instead, it was Theseus and Fundy stranded on the lake as ice begins to crack. Wilbur gets Fundy to safety first, and then when he comes back for Theseus, they fall through. From there on, there were two versions of this scene that I fluctuated between: one, Wilbur cuts the rope connecting them and lets himself drown, and two, the same happens but both of them get saved by a third outside force. This is followed up by Wilbur falling into a coma and being absent for the rest of the fic, sans the epilogue where we see him awake. Simply put, it was never my plan for Wilbur to be present in the final arc; he simply has no place there. His story was always meant to end in this chapter.

However, as time went on, I realized that using a coma is a very cheap (for the lack of a better word) way to write off a character, and his death by sacrifice did not feel right. As I mentioned in another post, br!Wilbur was, off and on, for nearly a decade, br!Tommy's abuser. To have someone who caused so much pain for him die saving him didn't sit right with me. Tommy was working for so long on accepting his past and unlearning the behaviors Wilbur brought up in him that it felt like an injustice and a poor message besides to basically say 'oh well he loved you at the end of the day'. And exploring his death from the point of view Tommy being relieved by it and feeling guilty at the same time is too repetetive of the story itself from when Wilbur ran away the first time. That's when the decision for Tommy to kill Wilbur was born.

So short answer: Wilbur's story was always meant to end at this moment. The idea for murder hatched during the travel arc.

I could not tell you exactly when did I realize that the plot was heading towards Tommy killing Wilbur, but I very firmly stand by the point that it's something that has been brewing up in the background unbeknownst even to me. The thing, Tommy has always been a killer. You have always known him as one (Clara was killed by him 3 years into the past), even though you didn't know his full backstory. An important part of this arc in its entirety is that it's Tommy unpacking and healing from the trauma he experienced 6 to 3 years ago. When Tommy gets sick and Wilbur takes care of him – that's 11 year old Tommy getting closure from Wilbur leaving him behind, and trading their family for the life of a commoner and a family of his own. It's not about them learning to be different in the future; it's about them mending the past. At no point at all this was meant to be about redeeming Wilbur.

Off to the next question: was this necessary? Did Tommy do what he had to?

Not at all. I address that in the chapter itself. I believe it's three different times that an image of Clara tells that Tommy must do it, meaning kill Wilbur, but the only time Tommy voices that thought himself (after the dialogue with Warden), the must changes to can. It's him taking agency over his own choices and acknowledging that he has this option and it's his decision to proceed with it. He tells Wilbur not to make excuses for him for Clara's death, knowing he's about to commit the same crime again.

As to how to feel about his actions – that's entirely up to you. You're not meant to feel a certain way about any of the characters, and especially not Tommy, but I am curious to hear your guys' thoughts and analysis. What do you think?

[arcticdementor]

I read where you say

I think many of them view institutions the same way. You can just tell people something, and then they have to believe it.

and my first thought was that this is how public school works (and per Chris Arnade's Dignity, modern society selects for "front-row" elites who thrive in that sort of environment). The teacher tells the students stuff, and the students are graded on how well they can parrot it back. As I found out personally in grade school, one of the worst things you can do in class is successfully correct the teacher, whether by pointing out and correcting an error in her math, or citing a more up-to-date source for some bit of science. The "right answer" is not the correct answer, it's the answer the teacher wants to hear.

But more generally, this sort of narrative control, in the Jimian "warriors vs priests" model, the core of "priestly" power. Every society has had it to some degree. You say:

Media isn't supposed to be a top-down command and control system that people obediently follow.

but plenty of people say that it is. What the Catholic Church was for the middle ages, what state churches were post-reformation — somebody has to preach the Official Truth (and there's always an Official Truth) to the masses. Who replaces the church in preaching the dogma to the masses if not the media?

I've seen plenty of people (particularly after the November election) look at people's declining trust in institutions like the media, and see it as a serious problem… not of those institutions, but of the people who have stopped listening. They basically fall into two (similar) categories.

First is that the institutions are "trustworthy" — not in the sense that an individual is trustworthy, in that they have a reputation for being honest and well-informed, but in that they are inherently worthy of trust by virtue of being institutions. The broad distrust in institutions we see today is bad for society, they argue. Indeed, society depends on a certain level of trust in institutions for cohesion and proper functioning… and therefore, since that trust is necessary, people are obligated to give it. You owe it to society to trust the institutions no matter how many times they get it wrong, how many times they lie. Those who have stopped trusting the media are immoral, because they are shirking their moral obligation to society to shut up and believe whatever they're told.

The second, which I've seen a couple times post-election, has come from people asking how so many could have voted for Trump despite the media pointing out how he's Hitler and Harris is the only acceptable choice, looking at how many people don't listen to said media, and refining the question to how so many people could willingly choose lies over truth. When pointed to the fact that the people in question don't see it that way, a few responded by asserting that since the media and such are the "truth-telling" institutions, whose job is determining the truth, this framing remains the correct one regardless. When pushed back at with the poor job these "truth-tellers" have been doing, they clarify that they didn't mean it in that sense, they meant it definitionally. That their job isn't to determine what the truth is in the sense of searching for what is true and what is false, but in the sense of choosing what is true and what is false — that they are "truth-telling institutions" in that whatever they tell people is definitionally "true." That "truth" is simply whatever the authorities say it is, anything to the contrary is "misinformation" and "lies" by definition, and anyone who denies such "truth" is edging toward treason.

Calling something "der sturmer," saying something is a "racist moral panic," throwing around words like "taken-style hero"... None of those things will work. Shaming won't work.

Maybe not, but they're a necessary first step before escalating to harsher measures that will. After all, the Inquisitions generally gave heretics a number of opportunities to recant their heresies ("heresy" itself distinguished from mere error by being defined as "the obstinate denial or doubt of a truth that should be believed"), only handing over ("relaxing") the unrepentant heretic to the civil authorities for execution.

Shaming didn't work on the original Der Stürmer… but you know what did, right? You have to first establish that the people driving the "racist moral panic" aren't accidental racists who can be shamed into improvement, but obstinate racists immune to shame, thus justifying more coercive measures and outright punishments. If this is like a "der sturmer-style campaign" then obviously everyone promoting that campaign is comparable to Julius Streicher… and deserving of the same fate.

You have to re-establish trust.

No, you don't. You just have to punish heresy severely enough that none dare openly dissent.

Who do I trust on this issue? Who do I think has impeccable credentials and has established the right commitments and allegiances over the years?

Go back to the classroom. There may be people you trust more on a topic than your teacher, books you trust more than the textbook. But if you want to get a good grade, which one's answers are you going to put down on your homework and tests?

well, there's been a tremendous amount of reputational damage to group reputation management in the United States over the past 10 years, and especially over the past 4.

Yes, and? The only reputation you need to manage is your reputation for punishing all disobedience. Oderint dum metuant.

How can you convince me?

The same way they "convinced" Germans to stop being Nazis? The same way Gul Madred got Picard to briefly see five lights instead of four?

The British elites don't have to convince anyone. They'll just keep on doing whatever they want, no matter how unhappy the peasant masses get, because the peasant masses are powerless, and can't do anything about it.

Regarding Rotherham, since it's come up again...

If I had a daughter, and a group of men doused her in petrol and threatened to set her on fire, then what would matter to me is making sure that never happened again.

This is what is moral and right. Children are small and weak. Stopping such a thing is what a parent owes their child.

If that requires changing the ideology of the entire country, then my life's work must be changing the ideology of the entire country. This is simply the work that has been entrusted to me. Whether it succeeds or not, I must attempt it.

There are people right now asking others to refrain from criticism in order to protect the reputation of the Labour government.

My contempt for such people is off the charts. But I can now see the empty space. Many of them are morally underdeveloped. What it means is that they consider Labour their tribe, and they are obediently protecting the tribe.

[therealitiestraveler]

How I manifested my cat, my glow up, being accepted in my desired university, my best friend and friend group, a gym being built next to where I live

Initial note: My blog is mostly about reality shifting, but I also have my share of experiences with manifestation, so here is this post, I hope that this post can help and motivate you guys.

This is a long one so keep this one to read when you have time, good reading guys.

Contents

Method I used

My results

Context: At the time I wanted to manifest all this I was finishing highschool and in my country we have exams that we have to pass in order to be accepted in university and I was studying in the summer for those exams.

In that same year I was also highly focused on learning about manifestation. Initially I found subliminals and my first move was try them, they worked and then my first thought was “okay, this works, why does this work?” and then I went into the rabbit hole of manifestation and how reality works with the goal of understanding it, this from a metaphysical and spiritual perspective (I also had some background from my practice with witchcraft).

Around that time I heard a lot about law of assumption, so I decided to put that into practice, in the future I am planning to make a post explaining, or in other words, simplifying the law of assumption in simple terms + why it works (more often than not I found that, even though it is not necessary to understand it for it to work, when I understand the why’s it makes it easier for me to be confident with my manifestations and confidence can be quite important in manifestations).

At this time in my life I had recently discovered notion (organization app) and I was using it to organize my life, at the time I created a page for those specific manifestations and I started to write them down as if I already had them, it was something like this:

I am [insert description of my appearance]

I have a cat, that cat is [insert description of cat] and they are [insert cat personality]

I have been accepted in [insert university name] and I am currently studying there

I have my best friend, my best friend is [insert personality traits]

My friend group has [insert amount of people] and they are [insert people personality] my friend group is [insert friend group dynamic]

Etc. (you guys understand the concept)

I wrote that and after that I almost forgot about it, I ended up detaching from it in a way, mostly because I was busy at the time with my studies and with managing my social and academic life, now years later I realized that I ended up putting the law of detachment into action without being aware of it. I didn't think about it again, until my second year of college were I was reorganizing my notion for the new academic year and much to my surprise I found that page in deepest parts of my notion and I got even more surprised to find out that basically everything went according to what I wrote, basically everything because i’m gonna explain how it worked out in the end in the next part of this post.

Results

Cat: Ever since I was younger, I had always wanted a cat. However, my family didn’t want any pets, so it was almost a lost cause, yet I gave it a try. When I described my pet affirming that I had it, I actually described two cats, an orange cat and a white cat. I did this in summer, and my precious cat appeared in my house in early April of the next year.

He simply popped up on the front side of my house and decided he was gonna there, he was quite small at the time, probably he had been born in the previous months, he also was quite skinny and seemed to not be doing well, probably because he was young and a stray and was still trying to figure is own way in the world and trying to survive on the streets. So I slowly started to take care of him, he was already basically living in the garden of my house so it was easier for me at the time.

Over the course of time he eventually stayed there and got bolder, at some point he started to get inside the house and be with us. Later after my cat had been around I discovered that my family had tried to lead the cat away by guiding him away on the street by playing traces of food on the way and also tried to move him to other streets on my neighborhood, all of this while I was away in classes so that I wouldn't know (yes, I’m still bitter about it but anyways) however they were always unsuccessful, because as soon as they arrived back at home the cat was already there again, most of the times before them (I love my silly loyal little cat). So eventually they gave up, we took the cat to the veterinary and took care of everything and ever since then my cat has been with me.

And I can confidently say and my family often jokes that my cat presence was fate, because despite their failed attempts the cat decided that he was gonna stay here, apparently i’ve also became his favourite human, because out of everyone he spends more time with me and in my space, and gets along better with me than with anyone else in my family (I think that he’s still bitter with them too, understandable, I am too).

Remember that previously I said that the cats I wrote down were one orange and one white? Well that’s actually quite funny because my cat is orange and white.

Glow up: I described in detail and I have to confess the changes have been almost insane. I only noticed it because I went this year to more social activities because I finally had free time and most of the comments I received from people were about how much I’ve changed and my sudden glow up, and that lead me to actually search for pictures from the time I wrote that and I indeed noticed some major changes.

Some of these changes were a visible weight loss, more muscle mass, my hair is a lot more healthier, my metabolism is a lot faster now, my skin is a lot more healthy and clean, and something about my face that I can’t quite put into words also is a lot more different in a way that I am extremely grateful. I was surprised looking back at photos of me at the time I wrote it and the way I look now.

University acceptance: At the time I was choosing my university course I was concerned because I was applying for a course with not many university vacancies in my country, at least not many close to where I live and I knew I wanted to study in college but still be at home.

So I wrote it next to my manifestations there and guess what? That same day I went to apply for my desired university, I went to the secretary of the university to give my information and I gave them the documents we usually have to give, and on that same moment I was accepted into that university!! The happiness and disbelief I experienced that day was unimaginable and every day I am thankful for that, I literally stared at the man that was attending me for a couple of seconds that moment blinking as I processed the information and the man confused repeated himself again and I snapped out of it accepting it as a reality and proceed with the process, my reaction was as comical as it sounds.

Best friend and my friend group: When I was scripting my best friend and friend group I described them using typology (personality systems, one example of a typology system on the topic of personality would be for example mbti), and years later I’ve realized that indeed all the people in my friend group (the main one and the one where we hang out together the moat) have the exact typology I wrote that time.

I also met all of them in university as I planned too and the dynamic is also like I described and I am eternally thankful to have a friend group with the people I have.

Gym: The gym being built next to where I live (10 minutes away in walking distance if I am walking slow), I’ve always been physically active, however I never actually went to a gym because there weren’t that many close to where I live and with my lifestyle I have I would end up losing a lot of time on my way to the closest ones and I just couldn’t waste that time.

So imagine my surprise when less than a year after I’ve written those manifestations I happen to receive the news that people are building a gym less than 10 minutes away from my house? Nowadays it is already built and I often go there. This is the moment where I tell people that are often stressed to contemplate going to the gym or working out, it does magical wonders for one’s mood.

That’s all guys foe this post guys, I hope that this post is useful and motivates people, I always try to share some more details because it might help people get motivated and it can also be quite funny sometimes.

Good shifting and good manifestations everyone!!

[moontheoretist]

The hints were always there

I'm still playing through the Veilguard, but when it comes to the lore and possible retcons I feel like I have a vastly different stance than other people. I saw people being displeased and saying that DAV did ignore the canon or devs forgot about the established canon (which may have happened with so many revisions to this game, not gonna lie), but to me it's a case by case basis and so far I have no complaints (but admittedly I didn't finish the game yet, so it may still change).

For example: the entire thing with changed properties of the Blight is a sign that rules of the Blight within the world also changed. The game goes about it roughtly like this "long time ago Blight was even more nasty and bad than it's now, then Solas sealed it in the Fade that got separated from the mortal world, so when the Magisters entered the Black City and released some of it, it entered a vastly different world where there were no Fade and no Elven Gods". Which to me implies that the state of the world post-Veil and the fact that the Elven Gods were no longer in it affected the Blight. The world in which the Blight was born was long gone so it adapted accordingly. It became more passive despite still being operational, and got linked to the presence of the Archdemons (i.e. Blight exists, but doesn't happen on the larger scale unless there is a blighted Old God leading the charge (except of course underground where dwarves are battling it constantly). It found new ways to create the Darkspawn etc. because it was forced to do so to continue operating despite being cut from the source of its power.

Therefore it's not weird to me that all of the possible cures to the taint / Blight / the Calling talked about in the previous games / media aren't applicable in Veilguard anymore. Ofc they aren't. Blight is no longer a sickness in state of semi-active dormancy. It's no longer passive as it used to be. It's at full "fuck remission, imma strike again" stage doing whatever the hell it wants. You can't cure it with the old methods you knew anymore. You have to first improve the cures you found before in order to have a shot or beat the stronger virus now at all. So expecting all this old lore to be somehow relevant still seems excessive. Albeit I wouldn't say no to the game actually openly saying "we tried all those methods and each failed, this new Blight can't be cured by them".

TBF it seems that the hint that Elven Gods were always connected to the Blight was right there since the very beginning in DA: Origins already, otherwise the Old Gods wouldn't be so important for the Blights to happen. We just simply didn't know that the Old Gods and Evanuris were connected, even though for years we theorised they were connected in some way, if not one and the same. To my knowledge nobody ever proposed an idea that the Old Gods were basically glorified pets / war hounds for the tyranical elven gods. We were right tho that they were one and the same, as the dragons were their connection - speakers for the imprisoned Elven Gods.

In Veilguard it's very much implied during Solas' memories that all of the new Darkspawn we meet in DAV are in fact not new but just old. They simply had no way of existing without Fade World and the Elven Gods in the world, but now with the Veil weakening and two of the Elven Gods released upon this world via a powerful magical ritual that possibly weakened the Veil even more, Blight could finally become active in a way it wasn't for thousands of years. The same logic was also applied to elven artifacts that Veil Jumpers are dealing with in Arlathan forest. The ritual that Solas did and the releasing of the Elven Gods, it all affected the world in ways nobody knew it could before. Nobody knew how important or connected to the world Gods were or how powerful they truly were. As primordial spirits turned first people of the elven kind, they have far more intrinsic connection to and understanding of the world than any other race, except the dwarves so far (as dwarves turned out to truly be the children of the Titans that were actually the first inhabitants of Thedas as far as we know now). We don't know yet how humans and the Qunari factor in this (albeit I have some theories about the Qunari - in short they could have been created as soldiers / slaves that were supposed to be immune to the Blight thanks to the dragon blood they inherited, but it turned out they weren't and hence why they're referred to as a "mistake" or "beast of strange blood" with a "blood engorged with decay" (Corypheus) or having a "blood that doesn't belong to their people" (Kieran)) but it's undeniably true that elves and dwarves are connected to the world of Thedas in ways breaching human understanding. So it's not weird that world went wack when just two of the Elven Gods came back on top on Veil weakening and Titans already waking up in Inquisition.

I know what you will all say. "But what about Solas or Mythal?" Mythal doesn't count, because she never managed to get back her true form and kept existing in a state that is very similar to Anders' case of spirit + human merging. Solas doesn't count as he was asleep for thousands of years and when he woke up he was not even able to use any of the artifacts due to losing his powers (hence why he needed to consume Mythal's essence / soul). On top on that he also wasn't Blighted. He only counts as far as his ritual goes because it did wack to the world. (It fortunately didn't release more Blight, but did use shitton of magic that must have impacted the world where Veil was weakening all over already).

Not to mention how many things suddenly make sense.

Mirror in Mahariel's Origins being Blighted and Tamlen seeing a "great blackness" in it confirms that Ghilan'nain was connected to the Blight, as it was her mirror that Tamlen and Mahariel find - in DA2 it specifically has a symbol of a Halla on it to highlight it.

Dwarves not having dreams and being the only race that can't perform magic but also being able to perform it when they're born as Genlock Emissaries, mages in general getting magic power from the World of Dreams but when they're made tranquil loosing that ability and their dreams with it as well as the elves becoming magicless in the world where dreams and reality no longer coexist is all an expression and a result of Blight being created by the actions of the elves in the Elven-Dwarven war and by the creation of the Veil afterwards. (Like seriously it never struck me so much as it did when I played DAV - before I was like "oh yeah magic comes from the Fade" completely forgeting it's the dream realm that souls visit in dreams and go to after death).

The fact that the Blight song is always driving the Darkspawn to seek the closest Old God in order to blight it and take charge of the army of Darkspawn that otherwise is aimless without anyone to lead it. Blight probably designated them due to their link to the Elven Gods and used them as proxy in place of the missing gods because it was already accustomed to being used by Evanuris in their wars, hence why Darkspawn need Archdemon for the Blight to happen - they can't invade the surface without a commander.

There is probably more of those stuff.

The more I keep thinking about it the more I feel like this:

It was all just THERE. All. This. Time. In plain fucking sight. But we didn't get it, because we lacked the necessary contexts to get it all!

We thought that the Blight was only connected to the Titans, but we also knew before that the Elven Gods were possibly blighted thanks to what happened to Corypheus and other Magisters Sidereal. We just didn't connect the dots that Blight may albo have been used by the Elven Gods in similar way Corypheus used it. Hell, it's so ironic that in some theories we considered a Blight an immune system reaction of the body to the invading viruses and now it turned out that the Elven Gods - the ones that were considered the first invaders by the Titans, became their tool to spread the Blight (even tho they think they lead it as all powerful rulers it's very much possible they're just useful idiots). It doesn't matter that the Evanuris were the ones who actually created the Blight while seeking more power (via Titans' souls), what matters is that it was all connected and Blight was punishment meant for THEM.

The fact is they destroyed their own Empire with this blighted power, no matter how much they gloat about how powerful they've become.

No matter what they say, Titans' dreams have already won.

[bbcreative-0]

Sonic Idea

Okay so I watch the Sonic 3 Movie like two weeks ago and I came up with an idea that I think is pretty cool. I will admit I’m surprise I haven’t seen someone else pitch this already.

Okay DISCLAIMER: This idea can ONLY apply to Sonic in the movie only. I haven’t been up to date with my Sonic lore so I apologize if I get some things wrongs. I’m only pitching this idea in the hopes people that actually do know what they are talking about can pick this idea up. Please feel free to use this idea all I ask is to be mentioned, tag me, or use the tag I will be using.

SHADOW AND SONIC ROLE SWITCH

Okay I will admit the details are still getting worked on but this basically what I have:

So Sonic ends up getting crashed on Earth, GUN takes him in, and Maddie and Tom take care of Sonic. (Maddie can like a doctor and Tom can be like a guard or something, what matters is they work there)

Maddie and Tom love Sonic like a son, and Sonic loves them like they are his parents. Gerald Robotnik can still be experimenting on Sonic that stuff stays the same. Gerald is very protective over this family because he lost his own so it’s why he is so invested in them.

Tom and Gerald find out what GUN’s plans and they immediately try to escape with Sonic. Maddie joining with them because she isn’t going to leave Sonic behind. They get chased but as they get to the explosion maybe Tom shields Gerald and Maddie try to shield Sonic.

General Walter tries to stop the soldiers and we know what happens. They kaboom, we know what happens. Extra flavor of angst have Maddie try to tell Sonic something but he doesn’t understand/can’t remember because trauma.

Maddie and Tom are dead, Sonic goes to put on ice, and Gerald goes to jail. That part stays the same. Now onto Shadow, he is found by Longclaw, she raises him and here is where Idk how exactly this would work but this is what I got so far.

So when Longclaw is raising Shadow and they get attacked. I think the attack should like people that are connected to Rouge is…IDK how to work that in, (maybe Rouge has a clan like Knuckles) idk but they are only after Longclaw in hopes to find the Master Chaos Emerald. Longclaw saves Shadow and that’s how the first movie plays out.

Shadow lives on Earth in hiding until he gets discovered by a woman named Maria. She takes Shadow in and the whole movie plays out with Shadow and Maria. I think it would be cool if Maria didn’t know who her family is so it will be a big twist when she learns that she is related to Ivo.

Anyways, Maria has Shadow will her. Mother-son dynamic happens and cue the second movie happening. Rouge is after Shadow to get the Chaos Emerald, and Amy is following Shadow around. Ivo and Stone are still the antagonist of everything, they get taken care, and movie ends with Shadow, Rouge, and Amy all becoming Siblings with Maria as the mom

Third movie happens Sonic gets free and is on a revenge quest with Gerald, Ivo, and Stone. We know what happened. It would be cool to see Sonic hurting Maria (By accident) and Shadow having the same mental down that happened in the movie. They fight, save the world, and everything plays out the same in the movie with the characters.

Maybe with the end credit scene it’s like Metal Shadow and maybe Knuckles attacks them??? Tails??? Idk one of them and that’s basically everything I have so far to this idea.

If anyone wants to change or tweak some of this around go for it!!! This whole post is just an excuse for me to ramble a Sonic Idea I have had.

BONUS IDEA: Have Sonic x Amy happen and Shadow is in the background being livid about it because protective big brother

Alright that’s it hopefully someone gets inspired or at least found this interesting (Use the “sonic and shadow role switch” if you’d like to expand on this)

[spagheddiesquash]

fizz pre + post infection (and some lore!!)

obviously since hes a plague walker i wanted to make another ref including what he looked like pre infection!! and also i wanna spill some lore about him because in MY opinion i cooked.

so basically his deal is that his whole entire life hes only been seen as this scrawny little thing that wont amount to anything. and one day he gets so tired of this that he just snaps and is like “fuck it i guess ill do plague walking”

the thing is he has this drive to prove himself. to be like i CAN do something. i can BE someone. im not some little pathetic creature like you think i am. (the fact that he grows taller as a result of infection does not help this btw)

also he wears his goggles because he thinks (KNOWS…) nobody will take him seriously if he doesnt. and that would be bad. because hes found much success in plague walking!!

i keep seeing ppl be like “omg hes so cute!!” and im like YES THATS MY INTENTION. YESSS PLAY INTO HIS TURMOIL PLEASE.

i figured since im so good with cute things that i can ONLY draw cute things, i was like. what if i made a guy who was small and cute. so much so to the point nobody thought highly of him. so he spends the REST of his life chasing some sort of approval by trying his DAMNDEST to change the only part of him that anyone has ever known him by. and even HE knows he can never truly get past the fact that he will always be cutesy to some degree. so he tries to prove himself BEYOND his appearance…

which he ALSO knows that he can NEVER DO BECAUSE THE STANDARD HES LOOKING FOR IS UNATTAINABLE. GOOD ENOUGH IS NOT TRULY GOOD ENOUGH IF YOU DONT ATTEMPT TO BE BETTER.. IF YOU DONT MAKE IT PAST BETTER WERE YOU EVEN GOOD AT ALL? that line of thinking is basically him at his core.

this is me rn:

oh yeah i dont think i mentioned before but i DID make him to ship him with jawbone. and yes i will still be doing that.. why do u think i made him a plague walker.. will i post the eventual art? maybe. big maybe. but thats all thank u for reading

[waywardwhispersblaze]

I'll be forever mad that Jayce ruined the moment right there, but not because I think this would've been a perfect ending for them (I don't). I'm mad because if Jayce had just waited five fucking minutes, the resulting scene would've been so juicy.

Look at the way Vi and Cait look at each other here:

Caitlyn: shocked, betrayed, hurt

Vi just looks sad:

We know from their dialogue in ep 8 that while Vi and Caitlyn were making the plan to distract Ambessa, Vi had another one, to bring in Jinx as a contingency in case Caitlyn couldn't be trusted or failed. She had to know Caitlyn wouldn't take it well once she found out. Vi's priority n°1 was saving Vander though, and they likely didn't have much time to think this through. Basically, she had to know that from Caitlyn's POV, it would look like "Vi chooses Jinx over Cait", edition number 2.

And she was likely right! We know Caitlyn lets go of her anger towards Jinx in the next episode, and accepts that Vi has the right to choose her family, but in my opinion, she wasn't there yet in ep 6. Having a broken Jinx locked up in a cell (her single goal for the last few months) while Vi was lying unconscious on her bed for days very likely helped Caitlyn reassess her priorities in life. But here in this scene she literally doesn't have time to think!

Let's look at Caitlyn a bit more here. During their reunion, She probably expected Vi to hate her guts, but instead, Vi looks grumpy, calls her a mongoose and a cupcake in two sentences, and drops the "my dad needs help" bomb after hesitating for a hot, single second. Moments after that, Caitlyn reevaluates her life choices and decides to make a big career change. Plenty of great posts have already been made about Caitlyn's motivations there, but to sum it up, I'd say it was a combination of: her being already wary of Ambessa and not wanting to let a Noxian warlord get her hands on a dangerous weapon / innocent man, being tired of hating herself, and, yes, her feelings for Vi coming back to her in full force.

For a few, glorious moments, she was working with Vi again! Probably feeling more like herself than she had in months. Maybe she started to hope they could reconcile after all. Maybe, she hoped it could be a "do over" for their failed mission with the strike team, where she'd be helping a member of Vi's family, instead of being torn apart by one of them.

... only to find that Vi didn't actually trust her (which was deserved, but still, ouch), and to come face to face with the source of her seething hatred, the single object of her obsession in the last few months. Right after being saved by said source of seething hatred. It's a lot to take in. She had to be simultaneously disappointed and shocked

So, what was she gonna do? There was probably nothing Vi could have said that wouldn't have pissed Caitlyn off right then (no, Vi, saying "she's changed" probably wouldn't have helped), Jinx opening her mouth would have likely made it worse, but at the same time they still had to run away asap. Caitlyn had already betrayed Ambessa, she couldn't go back. Vi pretty much put her in a position where she'd have no choice but to follow along, no matter how angry she was, at least for a little while...

and I made this post just to say, that the resulting bickering would have been hilarious to see :S

(forget about Jayce waiting five minutes, though, what if it they had an hour? what would Caitlyn had done once they were far enough from the Noxian army? point her gun at Jinx? attempt an arrest? (right in front of Vander? gulp) she might have simply ended up separating from them, and that would have been heartbreaking enough, but a completely different story)

((and that's assuming cult member!vander would have just agreed to leave the commune without acting weird))

[avelera]

(Heimerdinger anon here) Thank you sm for your thoughts, TBH I hadn't even really considered that Heimerdinger in the alternate dimension might just be making the best out of a shitty situation and doesn't want to introduce Hextech just for himself, which.. yeah fair, I guess I was making my assumption with s1 Heimerdinger in mind and didn't recognize this as character growth. I do like how he is written overall and that he only ever causes harm unintentionally/out of ignorance, because we don't see this type of character very often. I guess my biases are showing because he can be really flippantly cruel sometimes without even realizing and I know ppl like that IRL so the death sirens were activating on sight lmao (your post made me reevaluate some things, basically). Out of curiosity, how do you think Heimerdinger would have reacted to Arcane-infected Jayce and the Machine Herald? I personally think he would have been really shaken

Thank you!

I think the narrative treats Heimerdinger pretty kindly as inflicting most of the harm he does out of ignorance or naiveté, rather than malice or self-interest. He wants what's best for everyone in the long-run, he's just naturally become detached from the normal cycle of a human life, which leads him to the abject cruelty you mentioned. It is a flaw, but I think Arcane takes into account that it's not intentional and sort of punishes him accordingly, since no one in the narrative is perfect.

That said, I absolutely don't blame anyone for getting Kill Bill sirens about him lol. A lot of what he does in S1 especially is so unintentionally cruel and indirectly harmful that it makes my jaw drop. I think he more than most characters deserves a lot of recrimination. "Nice" is different than "good", a fact that goes a long way to making a lot of people think he's harmless, when really his greatest crime is negligence, and he's also not perfect. He's right about Hextech but he is wrong about Jayce not presenting the new crystals, for example. Not that Heimerdinger could have known, but if Jayce had presented the crystals on stage, there's no way Jinx could have stolen them.

As for your question about how how he would have reacted basically to Act 3 Viktor and Jayce, I have 2 answers:

1 ) Doylist (out of universe): I think one reason the narrative deliberately removed Heimerdinger from the story for Act 3 is because the tone of his character is so at odds with the war that ensues and the seriousness of infected Jayce and Machine Herald Viktor. Like Hoskel and Bolbok, Arcane in S2 rather carefully removes a lot of our silly, bizarre, or comedy relief characters like Heimerdinger from the narrative so they don't contrast with the tone.

2 ) Watsonian (in universe): I think it would have taken every ounce of the new-found grace and understanding for short-lived people for Heimerdinger to now say the world's longest, loudest, "I TOLD YOU SO," at the sight of the final result of Jayce and Viktor's choices that he warned them against at every stage. That said, I don't think Jayce would fight him on that point at all. Jayce heard a lot of Heimerdinger's voice in the torture cave specifically. I think he'd give Heimerdinger a big hug and an apology and maybe cry a bit more because his whole life would be so much less of a fucking mess if he had listened.